This undergraduate thesis focuses on the aspects of photography taken from an unusual perspective, that is from a low angle. The first part of this paper is of a theoretical nature. It defines how photography and low-angle perspective coexist and influence a passive observer’s vision, i.e., their perception of photography. Furthermore, it defines basic terms necessary for understanding the topic, only some of which include: photography and its history, street photography and other photography genres, composition, framing, angles, and such. Furthermore, this undergraduate thesis discusses prominent figures in the field of photography, their biography, as well as their significant photography work. The end of the theoretical section of this paper focuses on explaining how photographers switch between shooting angles both in photography and film, with a conclusion drawn at the very end. The practical part of this paper presents the author’s photography work taken from a low-angle perspective, simulating a mouse’s point of view. While the theoretical part aims to highlight and define important terms, as well as the lack of human empathy towards other living beings, the practical part is designed as a visual addition to the theoretical section. Through formerly mentioned photography work, it will be presented how a much weaker being perceives humans. The main goal of this paper is to evoke at least a minimal amount of empathy in readers.