| Title | PRIJESTUP KAO ESTETSKI I ETIČKI ČIN: Političnost psihoze i institucionalna psihopatologizacija pojma zla * Rupture, rezovi i diskontinuiteti // Narativi straha |
| Title (english) | TRANSGRESSION AS AN AESTHETICAL AND ETHICAL ACT: The Politics of Psychosis and the Institutional Psycho-Pathologization of 'Evil' * Ruptures, cuts and discontinuities // Narratives of Fear |
| Author | Dorotea Šušak |
| Mentor | Nataša Govedić (mentor) |
| Mentor | Goran Pavlić (mentor) |
| Committee member | Goran Pristaš (predsjednik povjerenstva) MBZ: 253196 |
| Committee member | Una Bauer (član povjerenstva) |
| Committee member | Nataša Govedić (član povjerenstva) |
| Committee member | Lada Kaštelan (član povjerenstva) MBZ: 363446 |
| Granter | University of Zagreb Academy of dramatic art (Dramaturgy department) Zagreb |
| Defense date and country | 2020-09-30, Croatia |
| Scientific / art field, discipline and subdiscipline | FIELD OF ART Theater Arts (Performing and Media Arts) Dramaturgy of Performance |
| Abstract | Ovaj rad predstavlja diplomsko istraživanje na usmjerenju dramaturgije izvedbe te se sastoji od tri cjeline: teorijskog istraživanja, istraživačkog rada na dramaturgiji izvedbe te autoreferencijalnog rada. Teorijsko istraživanje teži izložiti relevantna pitanja izvedbene analize estetskog i etičkog modela ‘prijestupa’, kao i odabranih performativnih mehanizama u vidu socijalno-mistificiranih pojavnosti, kao što su ‘ludilo’ i ‘zlo’, a koje se istražuje analizom dostupnih materijala i referentnih izvora. Izvedbeno istraživanje pak kroz prizmu analize autorskih radova (akustičko-eksperimentalnih snimki i kazališnih projekata) pokušava izložiti refleksiju dramaturških metoda i postupaka koji se zajednički objedinjuju mehanizmima: ‘diskontinuiteta’, ‘reza’, ‘rupture’ i ‘imobilizacije’. Objedinjena tematska nit tih je cjelina vezana uz suštinsko propitkivanje denormativizacije konstrukta linearnosti te onih afektivnih prostora (poput straha, traume ili odbacivanja) koji u tkivu društvene afektologije, mogu otvoriti prostor progresivnih propulzija. |
| Abstract (english) | This paper presents a graduate research in the field of performance dramaturgy and consists of three parts: theoretical research, research work on performance dramaturgy and self-referential work. Theoretical research seeks to raise relevant issues of performance analysis of the aesthetic and ethical model of ‘transgression’, as well as selected performative mechanisms in the form of socially mystified phenomena, such as ‘madness’ and ‘evil’, which are explored by analyzing available materials and reference sources. Performance research, on the other hand, through the prism of analysis of author's works (acoustic-experimental recordings and theater projects) tries to present a reflection of dramaturgical methods and procedures that are jointly united by mechanisms of: ‘discontinuity’, ‘cut’, ‘rupture’ and ‘immobilization’. The unified thematic thread of these units is related to the essential questioning of the denormalization of the construct of linearity and those affective spaces (such as fear, trauma or rejection) that in the fabric of social affectology can open the space for progressive propulsions. |
| Keywords | |
| Keywords (english) | |
| Language | croatian |
| URN:NBN | urn:nbn:hr:205:922280 |
| Study programme | Title: Dramaturgy Study programme type: university Study level: graduate Academic / professional title: magistar/magistra dramaturgije (magistar/magistra dramaturgije) |
| Type of resource | Software, multimedia |
| Access conditions | Open access |
| Terms of use |  |
| Created on | 2020-09-25 03:05:13 |
