prikaz prve stranice dokumenta Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu
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master's thesis
Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu
Zagreb: University of Zagreb, Academy of Fine Arts, 2018. urn:nbn:hr:215:719157
Štimac, Ana
University of Zagreb
Academy of Fine Arts
Department of Conservation and Restoration

Linked objects
Madona, zatečeno stanje | Appendix
Čišćenje laka UV | Appendix
Skidanje ljepila | Appendix
ispupčenja | Appendix
Izmet muha | Appendix
Izolacija | Appendix
Kitanje | Appendix
Otprašivanje poleđine nakon skidanja okvira | Appendix

Institutional repository: Repository of the Academy of Fine Arts in Zagreb

Cite this document

Štimac, A. (2018). Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu (Master's thesis). Zagreb: University of Zagreb, Academy of Fine Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:215:719157

Štimac, Ana. "Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu." Master's thesis, University of Zagreb, Academy of Fine Arts, 2018. https://urn.nsk.hr/urn:nbn:hr:215:719157

Štimac, Ana. "Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu." Master's thesis, University of Zagreb, Academy of Fine Arts, 2018. https://urn.nsk.hr/urn:nbn:hr:215:719157

Štimac, A. (2018). 'Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu', Master's thesis, University of Zagreb, Academy of Fine Arts, accessed 23 November 2024, https://urn.nsk.hr/urn:nbn:hr:215:719157

Štimac A. Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu [Master's thesis]. Zagreb: University of Zagreb, Academy of Fine Arts; 2018 [cited 2024 November 23] Available at: https://urn.nsk.hr/urn:nbn:hr:215:719157

A. Štimac, "Konzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu", Master's thesis, University of Zagreb, Academy of Fine Arts, Zagreb, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:215:719157

Metadata
TitleKonzervatorsko-restauratorski radovi na olegrafiji "Madona" po J. P. Kiesslingu
AuthorAna Štimac
MentorJagor Bučan (mentor)
MentorKrunoslav Kamenov (mentor)
Committee memberTamara Ukrainčik (predsjednik povjerenstva)
Committee memberDora Kovačević (član povjerenstva)
Committee memberZvjezdana Jembrih (član povjerenstva)
GranterUniversity of Zagreb
Academy of Fine Arts
(Department of Conservation and Restoration)
Zagreb
Defense date and country2018-02-21, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Fine Arts
Abstract
U ovom diplomskom radu opisani su konzervatorsko-restauratorski radovi na kromolitografskoj1 reprodukciji štafelajne slike „Madona“ po Johannu Paulu Kiesslingu. Reprodukcija je izvedena u tehnici kromolitografije na papiru kaširanom na platno i nije poznato kada i gdje je otisnuta. Slika je u privatnom vlasništvu. Teorijski dio ovog rada obuhvaća povijesni vid te principe litografije, na čijem je tehničko-tehnološkim osnovama zasnovana i kromolitografija, u njemu su navedeni nakladnici oleografija, litografski zavodi i uloga oleografije. Praktični dio rada daje informacije o zatečenom stanju slike, dokumentaciji konzervatorsko-restauratorskih radova te provedenih analiza platna, papira, laka i ljepila. Nakon završetka konzervatorsko-restauratorskih radova, slika će biti vraćena vlasniku uz kompletnu konzervatorsko-restauratorsku dokumentaciju. kromolitografija, štafelajna slika, papir, litografija, oleografija, konzerviranje, restauriranje, Madona 1 Komercijalni
Abstract (english)
This diploma thesis described conservation and restoration works on chromolithographic2 reproduction of the painting of "Madonna" by Johann Paul Kiessling. The image was made using the technique of chromolithography on paper laid on canvas. It is unknown when and where it was printed. The image is privately owned. The theoretical part of this thesis covers the historical overview and the principles of lithography, which are also the principles on which chromolithography is based. It also deals with the publishers of oleographies, lithographic institutes and the role of oleography. The practical part of the thesis provides information on the condition of the image, the documentation concerning the conservation and restoration works, and the analysis of the canvas, paper, varnish and glue. Upon the completion of the conservation and restoration works the image will be returned to the owner along with the complete conservation and restoration documentation.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:215:719157
Study programmeTitle: Conservation and Restoration; specializations in: Painting, Sculpture
Course: Painting
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra restauriranja i konzerviranja umjetnina (magistar/magistra restauriranja i konzerviranja umjetnina)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Public noteIzbor iz slikovnih priloga napravila urednica.
Created on2018-09-13 10:47:27