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master's thesis
Utjecaj boje u filmu na promatrača
Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2019. urn:nbn:hr:251:339125
Marija, Šurina
Josip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek

Institutional repository: Repository of the Academy of Arts and Culture in Osijek

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Marija, Š. (2019). Utjecaj boje u filmu na promatrača (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek. Retrieved from https://urn.nsk.hr/urn:nbn:hr:251:339125

Marija, Šurina. "Utjecaj boje u filmu na promatrača." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2019. https://urn.nsk.hr/urn:nbn:hr:251:339125

Marija, Šurina. "Utjecaj boje u filmu na promatrača." Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, 2019. https://urn.nsk.hr/urn:nbn:hr:251:339125

Marija, Š. (2019). 'Utjecaj boje u filmu na promatrača', Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, accessed 05 November 2024, https://urn.nsk.hr/urn:nbn:hr:251:339125

Marija Š. Utjecaj boje u filmu na promatrača [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek; 2019 [cited 2024 November 05] Available at: https://urn.nsk.hr/urn:nbn:hr:251:339125

Š. Marija, "Utjecaj boje u filmu na promatrača", Master's thesis, Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek, Osijek, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:251:339125

Metadata
TitleUtjecaj boje u filmu na promatrača
AuthorŠurina Marija
MentorLana Skender (mentor)
GranterJosip Juraj Strossmayer University of Osijek
Academy of Arts and Culture in Osijek
Osijek
Defense date and country2019, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Fine Arts
Art Education
Abstract
Počeci korištenja boje i tranzicije s crno-bijele tehnike dovode do umjetničkih mogućnosti igre s realnim i imaginarnim konceptima. Novonastala dinamika, iako u počecima predmet kontroverze, napravila je preokret u stvaralaštvu i konzumaciji umjetnosti. Psihološki učinci boja na površinu izbacuju širok spektar emocija, a vidljivi su u suptilnim ili vrlo direktnim odlukama autora. Harmonija, asocijacija i tranzicija boja, elementi su koji povezuju estetsko i psihološko, budeći emotivno i analitičko kretanje u gledateljima.
Abstract (english)
The beginnings of implementing colour and the transition from black-and-white technique led to artistic possibilities of play between the real and imaginary. The newly emerged dynamics, albeit a controversial subject at first, has created a shift in art creation and art consumption. The psychological effects of colours surface a wide spectre of human emotions, which can be seen in subtle or very direct decisions made by the authors. Harmony, association, transition are elements of colours that connect the aesthetical and psychological by awakening an emotional and analytical movement in the viewers.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:251:339125
Study programmeTitle: Graduate study of Fine Arts
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacije likovne kulture (magistar/magistra edukacije likovne kulture)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2020-01-24 14:03:12