| Abstract | Okosnica su ovoga diplomskog rada biografije, tekstovi i prijevodi te analize skladbi skladatelja Antonia Caldare (Alma del core), Johanna Sebastiana Bacha (Blute nur), Richarda Straussa (Du meines Herzens Krönelein, op. 21., br. 2 i Zueignung, op. 10, br. 1), Josipa Hatzea (Suzi i Serenada), Sergeja Rahmanjinova (12 Romanci, Siren, op. 21, br. 5 i Zdes' khorosho, op. 12, br. 7), Wolfganga Amadeusa Mozarta (Giunse alfin il momento... Deh vieni, non tardar, recitativ i arija Susanne iz opere Le nozze di Figaro) i Antonina Dvořáka (Měsíčku na nebi hlubokém, arija Rusalke iz opere Rusalka). U ovome diplomskom radu analizirat će se vokalno-tehnički problemi navedenih skladbi, prikazat će se njihova formalna i interpretativna analiza te tekstovi i prijevodi. Uspješnost solističkog koncerta uvelike ovisi o poznavanju sadržaja i stilskih karakteristika skladbi te osobito pjevačke tehnike. |
| Abstract (english) | This thesis deals with biographies, texts and translations, as well as analyzes of compositions by composers Antonio Caldara (Alma del core), Johann Sebastian Bach (Blute nur), Richard Strauss (Du meines Herzens Krönelein, Op. 21., No. 2 and Zueignung, Op. 10, No. 1), by Josip Hatze (Suzi and Serenade), by Sergei Rachmaninoff (12 Romances, Op. 21, No. 5 and Zdes' Khorosho, Op. 12, No. 7), Wolfgang Amadeus Mozart (Giunse alfin il momento...Deh vieni, non tardar, recitative and aria of Susanna from the opera Le nozze di Figaro) and Antonin Dvořák (Měsíčku na nebi hlubokém, Rusalka's aria from the opera Rusalka). In this diploma thesis, the vocal - technical problems of the mentioned compositions, their formal and interpretative analysis, texts and translations will be analyzed. The success of a solo concert largely depends on knowing the content and stylistic characteristics of the compositions, and especially the singing technique. |
