prikaz prve stranice dokumenta Stereo mikrofonske tehnike snimanja glazbenih izvedbi uživo
No public access
master's thesis
Stereo mikrofonske tehnike snimanja glazbenih izvedbi uživo
Zagreb: University of Zagreb, Faculty of Electrical Engineering and Computing, 2014. urn:nbn:hr:168:025976
Šujansky, Natan
University of Zagreb
Faculty of Electrical Engineering and Computing

Institutional repository: FER Repository

Cite this document

Šujansky, N. (2014). Stereo mikrofonske tehnike snimanja glazbenih izvedbi uživo (Master's thesis). Zagreb: University of Zagreb, Faculty of Electrical Engineering and Computing. Retrieved from https://urn.nsk.hr/urn:nbn:hr:168:025976

Šujansky, Natan. "Stereo mikrofonske tehnike snimanja glazbenih izvedbi uživo." Master's thesis, University of Zagreb, Faculty of Electrical Engineering and Computing, 2014. https://urn.nsk.hr/urn:nbn:hr:168:025976

Šujansky, Natan. "Stereo mikrofonske tehnike snimanja glazbenih izvedbi uživo." Master's thesis, University of Zagreb, Faculty of Electrical Engineering and Computing, 2014. https://urn.nsk.hr/urn:nbn:hr:168:025976

Šujansky, N. (2014). 'Stereo mikrofonske tehnike snimanja glazbenih izvedbi uživo', Master's thesis, University of Zagreb, Faculty of Electrical Engineering and Computing, accessed 19 May 2024, https://urn.nsk.hr/urn:nbn:hr:168:025976

Šujansky N. Stereo mikrofonske tehnike snimanja glazbenih izvedbi uživo [Master's thesis]. Zagreb: University of Zagreb, Faculty of Electrical Engineering and Computing; 2014 [cited 2024 May 19] Available at: https://urn.nsk.hr/urn:nbn:hr:168:025976

N. Šujansky, "Stereo mikrofonske tehnike snimanja glazbenih izvedbi uživo", Master's thesis, University of Zagreb, Faculty of Electrical Engineering and Computing, Zagreb, 2014. Available at: https://urn.nsk.hr/urn:nbn:hr:168:025976

Metadata
TitleStereo mikrofonske tehnike snimanja glazbenih izvedbi uživo
Title (english)Stereo microphone techniques for recording live sound events
AuthorNatan Šujansky
MentorKristian Jambrošić (mentor)
Committee memberKristian Jambrošić (predsjednik povjerenstva)
Committee memberBojan Ivančević (član povjerenstva)
Committee memberSiniša Fajt (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Electrical Engineering and Computing
Zagreb
Defense date and country2014-07-04, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Electrical Engineering
Abstract
Stereofonija u glazbi podrazumijeva postizanje dojma prostornosti pri slušanju snimljene glazbe i ostvarivanje mogućnosti lokalizacije zvučnog izvora u prostoru. Da bi se to postiglo osmišljene su različite stereo mikrofonske tehnike snimanja. Reprodukcijom takvih snimki pomoću dvokanalne stereo zvučničke konfiguracije (dva zvučnika i slušatelj čine jednakostraničan trokut) kod slušatelja se, zbog karakteristika ljudskog slušnog sustava, stvara doživljaj virtualne slike zvučnog izvora. Tehnike stereo snimanja dijele se s obzirom na položaj mikrofona u četiri osnovne skupine: podudarni par, razmaknuti par, gotovo podudarni par te par s pregradom. U sklopu ovog rada uspoređene su četiri najčešće stereo tehnike i ispitana njihova svojstva. To je postignuto snimanjem žive izvedbe akustičnog sastava, obradom tih snimki te slušnim ispitivanjem, i konačno, analizom dobivenih rezultata. Analiza je pokazala da ne postoji najbolja tehnika, već svaka ima svoje prednosti i mane.
Abstract (english)
Stereophony in music implies achieving spatial impression of recorded music and the ability to locate sound sources in space. In order to accomplish this, several different stereo microphone techniques are used. By using two-channel stereo loudspeaker configuration (two speakers and the listener are forming an equilateral triangle) to reproduce these recordings, it is possible for the listener to experience phantom sound images, because of the human auditory system characteristics. There are four basic stereo recording techniques which differ in microphone positioning: coincident pair, spaced pair, near-coincident pair and baffled omni-pair. In this MSc thesis the comparison of the four most common stereo recording techniques and their features is made. This was accomplished by recording a live acoustic band, producing those recordings, tests with human listeners, and test result analysis. It has been shown that that there is no best technique because using each one has its own benefits and disadvantages.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:168:025976
Study programmeTitle: Electrical Engineering and Information Technology
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra inženjer/inženjerka elektrotehnike i informacijske tehnologije (magistar/magistra inženjer/inženjerka elektrotehnike i informacijske tehnologije)
Type of resourceText
File originBorn digital
Access conditionsClosed access
Terms of useLicence In copyright icon
Public note
Created on2018-02-06 12:25:27