prikaz prve stranice dokumenta Narrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations
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master's thesis
Narrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations
Osijek: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences, 2014. urn:nbn:hr:142:632354
Kovačević, Dea
Josip Juraj Strossmayer University of Osijek
Faculty of Humanities and Social Sciences
Department of English Language and Literature

Institutional repository: FFOS-repository

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Kovačević, D. (2014). Narrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations (Master's thesis). Osijek: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:142:632354

Kovačević, Dea. "Narrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations." Master's thesis, Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences, 2014. https://urn.nsk.hr/urn:nbn:hr:142:632354

Kovačević, Dea. "Narrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations." Master's thesis, Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences, 2014. https://urn.nsk.hr/urn:nbn:hr:142:632354

Kovačević, D. (2014). 'Narrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations', Master's thesis, Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences, accessed 25 November 2024, https://urn.nsk.hr/urn:nbn:hr:142:632354

Kovačević D. Narrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations [Master's thesis]. Osijek: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences; 2014 [cited 2024 November 25] Available at: https://urn.nsk.hr/urn:nbn:hr:142:632354

D. Kovačević, "Narrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations", Master's thesis, Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences, Osijek, 2014. Available at: https://urn.nsk.hr/urn:nbn:hr:142:632354

Metadata
TitleNarrator, Intertextuality and Humor in Vladimir Nabokov's Lolita and Its Film Adaptations
Title (croatian)Pripovjedač, intertekstualnost i humor u Loliti Vladimira Nabokova i njezinim filmskim adaptacijama
AuthorDea Kovačević
MentorBorislav Berić (mentor)
MentorLjubica Matek (sumentor)
Committee memberBiljana Oklopčić (predsjednik povjerenstva)
Committee memberJadranka Zlomislić (član povjerenstva)
Committee memberBorislav Berić (član povjerenstva)
GranterJosip Juraj Strossmayer University of Osijek
Faculty of Humanities and Social Sciences
(Department of English Language and Literature)
Osijek
Defense date and country2014-06-30, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Anglistics
Abstract
This paper focuses on postmodern concepts of the narrator unreliability, intertextuality and humor. It describes the postmodern unreliable narrator according to postmodern views of theory in general, and more specifically according to Asgar Nünnings list of textual signs of unreliability. It also explicates the inseparability of the postmodern intertextuality, or parody as described by Linda Hutcheon, and humor, precisely, irony in the service of creating a parody. Furthermore, the paper analyzes Vladimir Nabokovs Lolita, concentrating on the novels unreliable narrator, intertextuality and humor. It is explicated that Lolitas narrator shows signs of unreliability. In addition to that, it is discussed that the novels intertextuality in combination with irony parodies different genres, making intertextuality and humor inseparable in the novel. Lolitas film adaptations by Stanley Kubrick and Adrian Lyne are also analyzed according to their narrator, intertextuality and humor. The elements of the narrator unreliability, intertextuality and humor in film adaptations are compared to those elements in the novel. The paper identifies Kubricks Lolita as a postmodern film as it features these postmodern elements. It also shows that these elements cannot be found in Lynes Lolita, concluding that Nabokovs and Kubricks Lolita are examples of postmodern art, while Lynes Lolita is not.
Keywords
Languageenglish
URN:NBNurn:nbn:hr:142:632354
Study programmeTitle: English Language and Literature (double major); specializations in: Teacher Training, Translation and Interpreting Studies, Philology
Course: Teacher Training
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra engleskog jezika i književnosti (magistar/magistra engleskog jezika i književnosti)
Study programmeTitle: Croatian Language and Literature (double major); specializations in: Teacher Training, Research Studies
Course: Teacher Training
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra hrvatskog jezika i književnosti (magistar/magistra hrvatskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2017-02-15 16:11:06