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master's thesis
Georg Büchner: Woyzeck od dramskog teksta do kazališne predstave i kritike
Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences, 2018. urn:nbn:hr:186:553760
Svetina, Antonia
University of Rijeka
Faculty of Humanities and Social Sciences
Department of Croatian Language and Literature

Institutional repository: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences

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Svetina, A. (2018). Georg Büchner: Woyzeck od dramskog teksta do kazališne predstave i kritike (Master's thesis). Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:186:553760

Svetina, Antonia. "Georg Büchner: Woyzeck od dramskog teksta do kazališne predstave i kritike." Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, 2018. https://urn.nsk.hr/urn:nbn:hr:186:553760

Svetina, Antonia. "Georg Büchner: Woyzeck od dramskog teksta do kazališne predstave i kritike." Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, 2018. https://urn.nsk.hr/urn:nbn:hr:186:553760

Svetina, A. (2018). 'Georg Büchner: Woyzeck od dramskog teksta do kazališne predstave i kritike', Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, accessed 02 December 2024, https://urn.nsk.hr/urn:nbn:hr:186:553760

Svetina A. Georg Büchner: Woyzeck od dramskog teksta do kazališne predstave i kritike [Master's thesis]. Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences; 2018 [cited 2024 December 02] Available at: https://urn.nsk.hr/urn:nbn:hr:186:553760

A. Svetina, "Georg Büchner: Woyzeck od dramskog teksta do kazališne predstave i kritike", Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, Rijeka, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:186:553760

Metadata
TitleGeorg Büchner: Woyzeck od dramskog teksta do kazališne predstave i kritike
Title (english)Georg Büchner: Woyzeck from the Play to the Theatre Performance and Critique
AuthorAntonia Svetina
MentorAdriana Car-Mihec (mentor)
Committee memberDejan Durić (predsjednik povjerenstva)
Committee memberAdriana Car-Mihec (član povjerenstva)
Committee memberAleksandar Mijatović (član povjerenstva)
GranterUniversity of Rijeka
Faculty of Humanities and Social Sciences
(Department of Croatian Language and Literature)
Rijeka
Defense date and country2018-09-13, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Abstract
U radu se vrši analiza dramskog teksta Georga Büchnera Woyzeck temeljem teorijskog instrumentarija predstavljenog u djelu Manfreda Pfistera Drama, teorija i analiza. Analizirani se dramski tekst dovodi u vezu s predstavom riječkog HNK Ivana pl. Zajca Woyzeck premijerno prikazanom 12. siječnja 2018. godine u režiji Anice Tomić i dramaturgiji Jelene Kovačić. Odabrana je predstava samostalno analizirana na temeljima ranije imenovana Pfisterova djela uz konzultiranje djela Marca de Marinisa Razumijevanje kazališta, obrisi nove teatrologije. Kao zaključak opisivanja puta jednog kazališno čina koji se sastoji od svega što prethodi predstavi, izvedbi same predstave te njezninim odjecima, promatraju se kazališne kritike nastale na temelju izvedbe kazališne predstave Woyzeck. Kritike su analizirane na temelju djela Sanje Nikčević Kazališna kritika ili neizbježni suputnik te se u njima traže i prepoznaju specifični elementi koji sačinjavaju hibridnost ovoga žanra.
Abstract (english)
The thesis paper presents an analysis of Georg Büchner's stage play Woyzeck based on the framework introduced in Manfred Pfister's work The Theory and Analysis od Drama. The analysed play is then related to the performance put on by the Croatian National Theatre Ivan pl. Zajc in Rijeka, which premiered on January 12th 2018, directed by Anica Tomić and dramaturgy by Jelena Kovačić. The performance is analysed by the aforementioned Pfister’s work, aided by Marco de Marinis’ Understanding Theatre. To conclude the description of a theatrical act’s lifecycle, consisting of everything that comes before the performance, the performance itself and its impact, the paper presents the critiques of the performance of the theatre play Woyzeck. The critiques are analysed based on Sanja Nikčević’s work Theatre Criticism or Inevitable Companion, identifying their specific elements indicating the hybridity of the genre.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:186:553760
Study programmeTitle: Croatian Language and Literature (double major); specializations in: Teaching Track, General Track
Course: Teaching Track
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacijehrvatskog jezika i književnosti (magistar/magistra edukacijehrvatskog jezika i književnosti)
Study programmeTitle: Italian Language and Literature (double major)
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra talijanskog jezika i književnosti (magistar/magistra talijanskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2018-11-08 08:07:42