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master's thesis
Pitanje kolektivnog identiteta Dalmatinske Zagore na primjeru romana i filma Što je muškarac bez brkova
Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences, 2019. urn:nbn:hr:186:584393
Ban, Marta
University of Rijeka
Faculty of Humanities and Social Sciences
Department of Croatian Language and Literature

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Ban, M. (2019). Pitanje kolektivnog identiteta Dalmatinske Zagore na primjeru romana i filma Što je muškarac bez brkova (Master's thesis). Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:186:584393

Ban, Marta. "Pitanje kolektivnog identiteta Dalmatinske Zagore na primjeru romana i filma Što je muškarac bez brkova." Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, 2019. https://urn.nsk.hr/urn:nbn:hr:186:584393

Ban, Marta. "Pitanje kolektivnog identiteta Dalmatinske Zagore na primjeru romana i filma Što je muškarac bez brkova." Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, 2019. https://urn.nsk.hr/urn:nbn:hr:186:584393

Ban, M. (2019). 'Pitanje kolektivnog identiteta Dalmatinske Zagore na primjeru romana i filma Što je muškarac bez brkova', Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, accessed 04 October 2024, https://urn.nsk.hr/urn:nbn:hr:186:584393

Ban M. Pitanje kolektivnog identiteta Dalmatinske Zagore na primjeru romana i filma Što je muškarac bez brkova [Master's thesis]. Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences; 2019 [cited 2024 October 04] Available at: https://urn.nsk.hr/urn:nbn:hr:186:584393

M. Ban, "Pitanje kolektivnog identiteta Dalmatinske Zagore na primjeru romana i filma Što je muškarac bez brkova", Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, Rijeka, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:186:584393

Metadata
TitlePitanje kolektivnog identiteta Dalmatinske Zagore na primjeru romana i filma Što je muškarac bez brkova
Title (english)The Question of the Collective Identity of the Dalmatian Hinterland on the Example of Novel and Film "What's a Man without a Mustache"
AuthorMarta Ban
MentorDejan Durić (mentor)
Committee memberDanijela Marot Kiš (predsjednik povjerenstva)
Committee memberDejan Durić (član povjerenstva)
Committee memberSanjin Sorel (član povjerenstva)
GranterUniversity of Rijeka
Faculty of Humanities and Social Sciences
(Department of Croatian Language and Literature)
Rijeka
Defense date and country2019-07-16, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Abstract
Diplomski rad obuhvaća analizu romana Što je muškarac bez brkova (2000.) Ante Tomića i istoimenu filmsku adaptaciju romana u režiji Hrvoja Hribara iz 2005. godine. U analizi se naglasak nalazi na pitanju konstruiranja specifičnog kolektivnog identiteta Dalmatinske zagore, nacionalnog i etničkog, prema teoretskim pretpostavkama Anthonyja Smitha i Benedicta Andresona te tvorbi stereotipa prema tumačenju Dubravke Oraić Tolić. Kao metodološka podloga analize koristi se sedam strategija tvorbe modernih identiteta koje Dubravka Oraić Tolić izlaže i objašnjava u članku Hrvatski kulturni stereotipi (2006.) objavljenom u zborniku Kulturni stereotipi – koncepti identiteta u srednjoeuropskim književnostima. Na temelju tako postavljene metodološke paradigme u nastavku rada slijedi analiza književnog predloška i filmske adaptacije, njihovih sličnosti i razlika prema teorijskim pretpostavkama koje iznosi Linda Hutcheon u svojoj knjizi Teorija adaptacije (2006.), s posebnim naglaskom na funkciju pripovjedača u romanu na kojoj počiva niz interpretativnih mogućnosti. U konačnici rad istražuje kako filmska adaptacija oblikuje ideju nacionalnosti preko narativnog i vizualnog nivoa radnje prema Smithovom konceptu etničke atmosfere.
Abstract (english)
The thesis paper presents an analysis of Ante Tomić’s novel What is a Man Without a Moustache (2000) and its homonymous film adaptation directed by Hrvoje Hribar in 2005. Theanalysis focuses on creation of the specific collective identity of the Dalmatian Hinterland, both national and ethnic, according to the theoretical assumptions of Anthony Smith and Benedict Andreson, and the creation of stereotypes according to Dubravka Oraić Tolić. Seven strategies for the creation of modern identities created by Dubravka Oraić Tolić in the article Croatian Cultural Stereotypes (2006) published in the book Cultural stereotypes - Concepts of Identity in Central European Literature are used as the methodological basis of the analysis. Based on that methodological paradigm in the course of the paper follows the analysis of Tomić’s novel and its film adaptation, their similarities and differences according to the theoretical assumptions presented by Linda Hutcheon in her book Theory of Adaptation (2006), with a special emphasis on the narrator’s role that contains many interpretative possibilities of the novel. In the end, the paper explores how film adaptation shapes the idea of nationality through the narrative and visual level of action according to Smith’s concept of ethnic atmosphere.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:186:584393
Study programmeTitle: Croatian Language and Literature (double major); specializations in: Teaching Track, General Track
Course: Teaching Track
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacijehrvatskog jezika i književnosti (magistar/magistra edukacijehrvatskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2020-07-15 08:57:22