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Scientific paper - Original scientific paper
Kipar Orazio Bonetti između Furlanije, Kvarnera i Dalmacije
Ars Adriatica, (2021), 11; 247-264. https://doi.org/10.15291/aa.3573
Tulić, Damir; Pintarić, Mario

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Institutional repository: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences

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Tulić, D. & Pintarić, M. (2021). Kipar Orazio Bonetti između Furlanije, Kvarnera i Dalmacije. Ars Adriatica, (11), 247-264. doi: 10.15291/aa.3573

Tulić, Damir and Mario Pintarić. "Kipar Orazio Bonetti između Furlanije, Kvarnera i Dalmacije." Ars Adriatica, no. 11, 2021, pp. 247-264. https://doi.org/10.15291/aa.3573

Tulić, Damir and Mario Pintarić. "Kipar Orazio Bonetti između Furlanije, Kvarnera i Dalmacije." Ars Adriatica no. 11 (2021): 247-264. https://doi.org/10.15291/aa.3573

Tulić, D. and Pintarić, M. (2021) 'Kipar Orazio Bonetti između Furlanije, Kvarnera i Dalmacije', Ars Adriatica, (11), pp. 247-264. doi: 10.15291/aa.3573

Tulić D, Pintarić M. Kipar Orazio Bonetti između Furlanije, Kvarnera i Dalmacije. Ars Adriatica [Internet]. 2021 [cited 2025 March 18];(11):247-264. doi: 10.15291/aa.3573

D. Tulić and M. Pintarić, "Kipar Orazio Bonetti između Furlanije, Kvarnera i Dalmacije", Ars Adriatica, no. 11, pp. 247-264, 2021. [Online]. Available at: https://urn.nsk.hr/urn:nbn:hr:186:994006. [Accessed: 18 March 2025]

Metadata
Title (croatian)Kipar Orazio Bonetti između Furlanije, Kvarnera i Dalmacije
Title (english)Sculptor Orazio Bonetti between Friuli, Kvarner, and Dalmatia
AuthorDamir Tulić
AuthorMario Pintarić
Author's institutionUniversity of Rijeka
Faculty of Humanities and Social Sciences
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
Abstract (croatian)
Orazio Bonetti jedan je od brojnih furlanskih kipara djelatnih u 18. stoljeću, a koji je u Hrvatskoj bio gotovo posve ne- poznat. Rodio se oko 1700. godine najvjerojatnije u Veneciji gdje je započeo školovanje da bi potom otišao u Furlaniju te Ljubljanu postavši suradnik Francesca Robbe. Zbog oskudnih dokumenata te izgubljenih radova, majstorov život i stvaralački itinerari velikim su djelom ostali nepoznati i nepovezani. Ovom prigodom Bonettiju se pripisuju kipovi u salezijanskom samostanu u... More San Vito al Tagliamento, crkvi San Cristoforo u Udinama, župnoj crkvi u Nogaredo di Pra- to i u Adegliaccu. U drugoj polovici četrdesetih godina 18. stoljeća Bonetti je s obitelji živio u Ljubljani te je ostvario suradnju s riječkim kiparom Antonijem Michelazzijem izradivši kipove na oltaru Gospe Karmelske u župnoj crkvi u Pazinu. Potom se preselio u Rijeku, da bi se nakon 1763. godine zaputio prema Dalmaciji. U Orlecu na Cresu isklesao je kipove za glavni oltar župne crkve, a 1766. mramornu dekoraciju oltara Bezgrešnog začeća u zadarskoj katedrali. Monumentalne kipove sv. Silvestra i sv. Tome, danas u Lovreću, izradio je 1768. za nekadašnju crkvu Sv. Silvestra u Zadru. Majstorova prisutnost u Zadru indirektno je potvrđena pronalaskom zapisa o smrti njegove supruge Cattarine koja je 1770. pokopana u crkvi Svete Marcele. Less
Abstract (english)
Orazio Bonetti was one of the many Friulian sculptors active in the 18th century, and hitherto almost unknown in Croatia. He was born around 1700, most likely in Venice, where he began his schooling and then went to Friuli and Ljubljana, be- coming an assistant to Francesco Robba. Due to the scarcity of documents and the fact that many of his works have been lost, details of the master’s life and artistic itinerary have remained largely unknown and unrelated. On this occasion, Bonetti has... More been credited with statues in the Salesian convent of San Vito al Tagliamento, the church of San Cristoforo in Udine, and the parish churches in Nogaredo di Prato and in Adegliacco. In the second half of the 1740s, Bonetti lived with his family in Ljubljana and collaborated with the Rijeka sculptor Antonio Michelazzi, producing statues for the altar of Our Lady of Mount Carmel in the parish church of Pazin. He then moved to Rijeka, and after 1763 set out for Dalma- tia. In Orlec on the island of Cres, he carved statues for the high altar of the parish church, and in 1766 he decorated in marble the altar of the Immaculate Conception in the Zadar Cathedral. He is also the author of monumental statues of St Sylvester and St Thomas, today in Lovreć, which he made in 1768 for the former church of St Sylvester in Zadar. The master’s presence in Zadar is indirectly confirmed by a record of the death of his wife Cattarina, who was buried in 1770 in the church of St Marcella. Less
Keywords (croatian)
Keywords (english)
Languagecroatian
Languageenglish
Publication typeScientific paper - Original scientific paper
Publication statusPublished
Peer reviewPeer review
Publication versionPublished version
Journal titleArs Adriatica
Numberingno. 11, pp. 247-264
p-ISSN1848-1590
e-ISSN1848-7459
DOIhttps://doi.org/10.15291/aa.3573
URN:NBNurn:nbn:hr:186:994006
Publication2021
Document URLhttps://hrcak.srce.hr/269733
Type of resourceText
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-12-07 12:51:29
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