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master's thesis
QUEER DETECTION IN SARAH WATER'S NEO-VICTORIAN TRILOGY
Split: University of Split, Faculty of Humanities and Social Sciences, University of Split, 2013. urn:nbn:hr:172:205724
Bartulović, Ivana
University of Split
Faculty of Humanities and Social Sciences
Department of English Language and Literature

Institutional repository: Repository of Faculty of humanities and social sciences

Cite this document

Bartulović, I. (2013). QUEER DETECTION IN SARAH WATER'S NEO-VICTORIAN TRILOGY (Master's thesis). Split: University of Split, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:172:205724

Bartulović, Ivana. "QUEER DETECTION IN SARAH WATER'S NEO-VICTORIAN TRILOGY." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, 2013. https://urn.nsk.hr/urn:nbn:hr:172:205724

Bartulović, Ivana. "QUEER DETECTION IN SARAH WATER'S NEO-VICTORIAN TRILOGY." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, 2013. https://urn.nsk.hr/urn:nbn:hr:172:205724

Bartulović, I. (2013). 'QUEER DETECTION IN SARAH WATER'S NEO-VICTORIAN TRILOGY', Master's thesis, University of Split, Faculty of Humanities and Social Sciences, accessed 01 December 2024, https://urn.nsk.hr/urn:nbn:hr:172:205724

Bartulović I. QUEER DETECTION IN SARAH WATER'S NEO-VICTORIAN TRILOGY [Master's thesis]. Split: University of Split, Faculty of Humanities and Social Sciences; 2013 [cited 2024 December 01] Available at: https://urn.nsk.hr/urn:nbn:hr:172:205724

I. Bartulović, "QUEER DETECTION IN SARAH WATER'S NEO-VICTORIAN TRILOGY", Master's thesis, University of Split, Faculty of Humanities and Social Sciences, Split, 2013. Available at: https://urn.nsk.hr/urn:nbn:hr:172:205724

Metadata
TitleQUEER DETECTION IN SARAH WATER'S NEO-VICTORIAN TRILOGY
AuthorIvana Bartulović
MentorAntonija Primorac (mentor)
Committee memberGordan Matas (predsjednik povjerenstva)
Committee memberAntonija Primorac (član povjerenstva)
Committee memberSimon John Ryle (član povjerenstva)
GranterUniversity of Split
Faculty of Humanities and Social Sciences
(Department of English Language and Literature)
Split
Defense date and country2013-12-19, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Anglistics
Abstract
Ovaj rad obrađuje neo-viktorijanske romane Sarah Waters. Rad analizira kako romani pristupaju problemu rodnog identiteta i raspravlja o trikovima koji se koriste u romanima i njihovoj važnosti za zaplet. Prisutnost trikova ukazuje na to da nije sve onako kako izgleda, zbog čega pogled, kako ga definira Laura Mulvey, igra važnu ulogu u romanima. Rad razmatra važnost pogleda kada je riječ o kontroliranju situacije. Nadalje, razmatra kako se pogled koristi za upoznavanje protagonista s drugim likovima. Budući da su izvedbe veliki dio romana, rad raspravlja o njihovoj važnosti. Istražuje pozornice koje likovi koriste za svoje nastupe. Nadalje, rad razmatra razloge tih izvedbi, te raspravlja o tome koliko su uspješni bili ovi nastupi za izražavanje želja i osjećaja likova. Osim toga, rad tvrdi da izvedbe likova dovode u pitanje stabilnost rodnog identiteta i društvenih normi. Raspravlja i o važnosti odjeće u izvođenju i stvaranju roda. Na kraju, rad pokazuje kako likovi mogu lako usvojiti i oponašati društvene uloge kada je to potrebno. Na taj način osporavaju stabilnosti identiteta i normi postavljenih od strane društva.
Abstract (english)
.This thesis deals with the neo-Victorian novels of Sarah Waters. It analyses how the problem of gender identity is approached in the novels. The thesis discusses the tricks used in the novels and their importance for the plot. The presence of tricks indicates that not everything is what it seems, which is why the notion of the gaze, as defined by Laura Mulvey, plays an important role. The thesis looks into the importance of the gaze when it comes to controlling the situation. Moreover, it looks at how the gaze is used for introducing the protagonists with other characters. Since performances are a big part of the novels, the thesis discusses their importance. It explores the stages the characters use for their performances. Furthermore, the thesis looks at the reasons behind the performances and discusses how successful these performances were in expressing the characters’ desires and emotions. Besides that, it argues that performances of the characters question the stability of gender identity and social norms. It discusses the importance of clothes in performing and constructing gender. Lastly, it shows how characters can easily adopt and imitate social roles when necessary, and in that way challenge the stability of identity and of the norms set by society.
Keywords
Languageenglish
URN:NBNurn:nbn:hr:172:205724
Study programmeTitle: English Studies; specializations in: Teacher Education , Translator/Interpreter Education
Course: Teacher Education
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra engleskog jezika i književnosti (magistar/magistra engleskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2017-05-08 12:35:35