This thesis examines the depiction and significance of female characters in Ingmar Bergman's films. Women predominantly stand out as the most important and memorable characters in his body of work. Bergman's portrayal of women is marked by their profound depth and complexity. They are not merely passive figures intended for aesthetic appeal but are depicted as living intricate lives with enduring struggles that they face daily. These struggles often serve as a driving force for the narrative, as his films generally delve into psychological themes. The dynamics between men and women in Bergman’s films not only trigger conflict but also prompt introspection for the female characters. The focus often transcends superficial interactions between individuals, exploring deeper connections and truths about the characters themselves. These truths frequently involve spiritual awakenings, highlighted through the use of symbolism and allegory in his films. Bergman's portrayal of women serves as a critique of traditional gender norms and societal expectations imposed on women. His female characters frequently challenge conventional patriarchal rules and authority. This thesis will first provide an overview of Ingmar Bergman's films, discussing his portrayal of women in his works. It will then conduct an in-depth psychological analysis of specific female characters in The Silence, Persona, and Cries and Whispers. The thesis will conclude with a synthesis of the findings.