This thesis explores the archaeological significance of the Volp Caves complex, located in the French Pyrenees. The thesis provides an examination of three interconnected caves: Enlène, Tuc d'Audoubert, and Les Trois Frères, renowned for their paleolithic art, which includes rock engravings, clay sculptures, and various artifacts like decorated bones, perforated objects, and portable art pieces. The research highlights both parietal and portable art. The thesis outlines the geographical characteristics of the Volp caves, their dating to the Upper Paleolithic period, and the history of their discovery and study, focusing on the contributions of the Bégouën family, who were instrumental in researching and preserving these sites. Special attention is given to the symbolic and artistic elements found in the caves, discussing their possible cultural and spiritual significance. The study also compares the art and techniques used in different rooms and caves, examining recurring themes. The thesis offers a comprehensive review of both human activities related to the creation of the art and the broader material culture found in the caves. By analyzing the stylistic differences and symbolic meanings of the representations, the work provides a better understanding of the artistic and cultural landscape of the Magdalenians who inhabited these caves during the Paleolithic.