prikaz prve stranice dokumenta Carska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti
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master's thesis
Carska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti
Zagreb: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences, 2019. urn:nbn:hr:131:371618
Zovko, Mia
University of Zagreb
Faculty of Humanities and Social Sciences
Department of History of Art

Institutional repository: ODRAZ

Cite this document

Zovko, M. (2019). Carska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti (Master's thesis). Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:131:371618

Zovko, Mia. "Carska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti." Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, 2019. https://urn.nsk.hr/urn:nbn:hr:131:371618

Zovko, Mia. "Carska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti." Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, 2019. https://urn.nsk.hr/urn:nbn:hr:131:371618

Zovko, M. (2019). 'Carska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti', Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, accessed 31 December 2024, https://urn.nsk.hr/urn:nbn:hr:131:371618

Zovko M. Carska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti [Master's thesis]. Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences; 2019 [cited 2024 December 31] Available at: https://urn.nsk.hr/urn:nbn:hr:131:371618

M. Zovko, "Carska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti", Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, Zagreb, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:131:371618

Metadata
TitleCarska mistika: utjecaj rimske carske ikonografije na nastanak ranokršćanske umjetnosti
Title (english)Emperor mystique: the impact of imperial Roman iconography on the formation of early Christian Art
AuthorMia Zovko
MentorDino Milinović (mentor)
Committee memberNikolina Maraković (predsjednik povjerenstva)
Committee memberMaja Zeman (član povjerenstva)
Committee memberDino Milinović (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Humanities and Social Sciences
(Department of History of Art)
Zagreb
Defense date and country2019-04-11, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
Abstract
Rad se bavi carskim utjecajima na razvoj kršćanske umjetnosti. U razdoblju kasne antike, koji je dugo vremena smatran periodom dekadencije, razvila se prva kršćanska umjetnost pod utjecajem carske ikonografije. Period kasne antike obilježilo je stasanje kršćanstva od punopravne do službene religije Carstva te uspostava novog glavnog grada Konstantinopola. André Grabar i začetnici teorije „carske mistike“ ukazali su na korištenje carske ikonografije u svrhu iskazivanja ideja kršćanskog učenja. Rad je sadržajno podijeljen u tri cjeline u kojima se govori o društvenim, vjerskim i političkim promjenama u razdoblju kasne antike koje su neminovno utjecale na umjetnički izričaj, zatim o teoriji „carske mistike“, njenim začecima i autorima, te, naposljetku, o likovnom izričaju u 4. stoljeću. U radu je analizirana carska portretistika od vladavine Dioklecijana do raspada Carstva, međusobni utjecaji javne i zagrobne skulpture poput Konstantinovog slavoluka i sarkofaga Junija Basa te prvi monumentalni prikazi Krista.
Abstract (english)
Subject of this paper is the impact of the imperial art on the development of Christian art. During late antiquity, which was considered a period of decadance for a long time, a first Christian art developed under the influence of imperial iconography. The period of late antiquity was marked with the affirmation of Christianity as an official religion of the Empire and the establishment of the new capital of Constantinople. André Grabar and other advocates of the theory of "emperor mystique" have pointed out the use of emperor iconography for the purpose of expressing the idea of Christian teaching. The paper is subdivided into three chapters that discuss social, religious and political changes in the late antiquity, the theory of "emperor mystique", its origins and authors, and ultimately the art of the 4th century. The paper analyzes the imperial portraiture from the reign of Diocletian to the Fall of the Empire, impact of triumphal and funerary sculpture, such as the Arch of Constantine and the sarcophagus of Junius Bassus, and finally the first monumental depictions of Christ.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:131:371618
Study programmeTitle: Art History; specializations in: Research
Course: Research
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2019-10-22 09:23:16