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master's thesis
Semiološki pristup modi: analiza naslovnica časopisa 'Vogue' 1920.-1930. i 2010.-2020.
Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences, 2022. urn:nbn:hr:131:236658
Lukić, Martina
University of Zagreb
Faculty of Humanities and Social Sciences
Department of Linguistics

Institutional repository: ODRAZ

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Lukić, M. (2022). Semiološki pristup modi: analiza naslovnica časopisa 'Vogue' 1920.-1930. i 2010.-2020. (Master's thesis). Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:131:236658

Lukić, Martina. "Semiološki pristup modi: analiza naslovnica časopisa 'Vogue' 1920.-1930. i 2010.-2020.." Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, 2022. https://urn.nsk.hr/urn:nbn:hr:131:236658

Lukić, Martina. "Semiološki pristup modi: analiza naslovnica časopisa 'Vogue' 1920.-1930. i 2010.-2020.." Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, 2022. https://urn.nsk.hr/urn:nbn:hr:131:236658

Lukić, M. (2022). 'Semiološki pristup modi: analiza naslovnica časopisa 'Vogue' 1920.-1930. i 2010.-2020.', Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, accessed 18 May 2024, https://urn.nsk.hr/urn:nbn:hr:131:236658

Lukić M. Semiološki pristup modi: analiza naslovnica časopisa 'Vogue' 1920.-1930. i 2010.-2020. [Master's thesis]. Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences; 2022 [cited 2024 May 18] Available at: https://urn.nsk.hr/urn:nbn:hr:131:236658

M. Lukić, "Semiološki pristup modi: analiza naslovnica časopisa 'Vogue' 1920.-1930. i 2010.-2020.", Master's thesis, University of Zagreb, Faculty of Humanities and Social Sciences, Zagreb, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:131:236658

Metadata
TitleSemiološki pristup modi: analiza naslovnica časopisa 'Vogue' 1920.-1930. i 2010.-2020.
Title (english)Semiological approach to fashion: analysis of 'Vogue' magazine covers 1920-1930. and 2010-2020.
AuthorMartina Lukić
MentorMislava Bertoša (mentor)
MentorDavor Krsnik (komentor)
Committee memberIvana Simeon (predsjednik povjerenstva)
GranterUniversity of Zagreb
Faculty of Humanities and Social Sciences
(Department of Linguistics)
Zagreb
Defense date and country2022-10-14, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
General Linguistics
Abstract
Moda je oduvijek bila jedan od najzastupljenijih načina samoizražavanja i autonomije. Dvadesetih godina prošlog stoljeća počinje se mijenjati uloga žene u društvu što je rezultiralo promjenama u modi, a samim time i promjenama na naslovnici. U tom periodu naslovnice Vogue časopisa krasile su ilustracije koje su savršeno predstavljale stil svoga vremena. Suprotno tome, danas više nema neviđenoga u modi. Teško je postaviti nove trendove koji nisu samo povratak nečega iz prijašnjih desetljeća. Nekada su na naslovnicama bile imaginarne djevojke, a danas naslovnice krase svjetski poznate zvijezde. Na taj se način pažnja s odjevne kombinacije prebacila na osobu koja se nalazi na naslovnici i na njezinu priču. Prema tome, cilj istraživanja bio je istražiti način na koji se naslovnica Vogue časopisa mijenjala kroz stoljeće te kako se mijenjala poruka koju naslovnica želi prenijeti. Istraživanje se temelji na Barthesovoj semiološkoj analizi odijela na naslovnicama časopisa Vogue u razdoblju između 1920.-1930. godine usporedno s razdobljem između 2010.-2020. godine.
Abstract (english)
Fashion has always been a way of self-expression and autonomy. In the 1920s, women's role in society began to change, which resulted in changes in fashion, and at the same time in the changes on the covers. In that period, the covers of Vogue magazine consisted of illustrations that perfectly represented the style of their time. On the contrary, in today's fashion, there's nothing that hasn't been seen already. It is difficult to set new trends that are not just the return of something from previous decades. In the past, the covers portrayed imaginary girls, and today on the covers we can find only celebrities. Accordingly, the attention shifted from the fashion itself to the person on the cover. The main goal of the analysis is to research how did the covers of Vogue magazine change throughout the century and how the message that the cover wants to communicate has changed with it. The research is based on Barthes' semiological analysis of the clothing on the covers of Vogue magazine in the period between 1920.-1930. compared to the period between 2010.-2020.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:131:236658
Study programmeTitle: Linguistics (double major); specializations in: General Linguistics, Comparative Linguistics, Computational Linguistics, Aplied Linguistics and Cognitive Linguistics, Cognitive
Course: Aplied Linguistics and Cognitive Linguistics
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra lingvistike (magistar/magistra lingvistike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-10-13 10:19:50