This masters' thesis analyzes and interprets the experimental films NOWhere (2018) by Neli Ružić, Porvenir (2020) by Renata Poljak, Lika/Untitled (2020) by Ana Hušman, the experimental film/video essay Dear Aki (2021) by Nina Kurtela, and the seven-channel video Looking for her (2021) by Sabina Mikelić. This interdisciplinary research connects a feminist approach based on the methodological principles of art history with the theoretical framework of sensory anthropology, as defined by anthropologist Sarah Pink. The concepts of cultural anthropology related to identity and place, as well as emplaced and embodied practices of women artists serve as a starting point for the analysis of approaches and strategies used in the examined works. The theoretical concepts which are being examined are that of Maurice Merleau-Ponty on perception, Edward S. Casey on body, Thomas J. Csordas on the embodiment paradigm, Tim Ingold on the individual as an organism-person, and Doreen Massey on identity and place-identity. Griselda Pollock's study on the spaces of modernity serves as a basis for questioning the notions of female identity, the structuring of space in the contemporary context, and everyday practices of movement and mobility. The theoretical features of experimental film, video and video art are being presented, as well as the historical overview of the contributions of visual artists in the Croatian context, relevant to the themes of identity and place. The five analyzed works of multimedia artists share common themes and were created between 2018 and 2021. They exhibit self-referentiality, reflexivity, and first-person narration, all stemming from personal experiences in search for fragments of their own identities. The artists begin their artistic research in the media of film and video, starting in places they or their family members share a sense of connection with.