prikaz prve stranice dokumenta Tumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija"
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master's thesis
Tumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija"
Zagreb: University of Zagreb, The Faculty of Political Science, 2016. urn:nbn:hr:114:015420
Carić, Ena
University of Zagreb
The Faculty of Political Science
Department of Journalism and Media Production

Institutional repository: FPSZG repository

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Carić, E. (2016). Tumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija" (Master's thesis). Zagreb: University of Zagreb, The Faculty of Political Science. Retrieved from https://urn.nsk.hr/urn:nbn:hr:114:015420

Carić, Ena. "Tumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija"." Master's thesis, University of Zagreb, The Faculty of Political Science, 2016. https://urn.nsk.hr/urn:nbn:hr:114:015420

Carić, Ena. "Tumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija"." Master's thesis, University of Zagreb, The Faculty of Political Science, 2016. https://urn.nsk.hr/urn:nbn:hr:114:015420

Carić, E. (2016). 'Tumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija"', Master's thesis, University of Zagreb, The Faculty of Political Science, accessed 04 November 2024, https://urn.nsk.hr/urn:nbn:hr:114:015420

Carić E. Tumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija" [Master's thesis]. Zagreb: University of Zagreb, The Faculty of Political Science; 2016 [cited 2024 November 04] Available at: https://urn.nsk.hr/urn:nbn:hr:114:015420

E. Carić, "Tumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija"", Master's thesis, University of Zagreb, The Faculty of Political Science, Zagreb, 2016. Available at: https://urn.nsk.hr/urn:nbn:hr:114:015420

Metadata
TitleTumačenje roda u filmovima Larsa von Triera: Analiza prikaza žene kroz prizmu trilogije "Depresija"
Title (english)The interpretation of gender in Lars von Trier's films: The analysis of representation of woman through the lens of "Depression trilogy"
AuthorEna Carić
MentorViktorija Car (mentor)
Committee memberViktorija Car (predsjednik povjerenstva)
Committee memberHelena Popović (član povjerenstva)
Committee memberAntonija Čuvalo (član povjerenstva)
GranterUniversity of Zagreb
The Faculty of Political Science
(Department of Journalism and Media Production)
Zagreb
Defense date and country2016-09-19, Croatia
Scientific / art field,
discipline and subdiscipline		SOCIAL SCIENCES
Information and Communication Sciences
Journalism
Abstract
Ovaj diplomski rad rad bavi se analizom filmova Antikrist, Melankolija i Nimfomanka (Prvi i Drugi dio) Larsa von Triera u svrhu otkrivanja načina prikazivanja ženskog roda u tzv. trilogiji „Depresija“. Podvrgavanjem filmova Bechdel testu i tablici odrednica prikaza tradicionalne i postfeminističke ženstvenosti prema Stephanie Ortego Roussell, dobiveni su rezultati koji potvrđuju polazišne pretpostavke – žene nisu prikazane kroz prizmu mizoginije, već filmovi, suprotno tome, obiluju porukama feminizma, a žene su u sva tri dijela trilogije prikazane superiornima u odnosu na muškarce. Lars von Trier žene ocrtava iz vizure postfeminističkog gledišta – što samo po sebi negira mizoginiju. One su karakterno jake intelektualke, samostalne, seksualno neovisne, loše supruge i majke, a time i normativno neukalupljene u tradicionalne prikaze ženstvenosti. Dobiveni podatci ukazuju na površnost i pogrešnost tumačenja Larsa von Triera kao šovinista i dekodiranje njegovih poruka mizoginim.
Abstract (english)
This thesis contains the analysis of the films Antichrist, Melancholia and Nymphomaniac (Vol. I and Vol. II) by the Danish director Lars von Trier with the purpose of revelation of representation of female gender in so called „Depression trilogy“. By subjecting the films to Bechdel test and the table of traditional and postfeministic representation of femininity, the results were gained which confirmed the initial presumptions – women aren't represented through prism of misogyny, it is rather contrary – that messages of feminism abound in all three films and the women are displayed as superior to men. Lars von Trier outlines women from the perspective of postfeministic view – which by itself disclaims misogyny. They are of strong personages and self-contained, sexually independent, bad wives and mothers and by that alone - normatively unable to mold into the shew of traditional femininity. The data suggests that perceiving Lars von Trier as a chauvinistic and decoding his films as such is not only wrong, but plainly superficial.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:114:015420
Study programmeTitle: Journalism
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra novinarstva (magistar/magistra novinarstva)
Type of resourceText
File originBorn digital
Access conditionsClosed access
Terms of useLicence In copyright icon
Created on2016-11-22 11:41:49