prikaz prve stranice dokumenta Romantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad
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master's thesis
Romantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad
Zagreb: University of Zagreb, The Faculty of Political Science, 2018. urn:nbn:hr:114:774088
Gashi, Rabije
University of Zagreb
The Faculty of Political Science

Institutional repository: FPSZG repository

Cite this document

Gashi, R. (2018). Romantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad (Master's thesis). Zagreb: University of Zagreb, The Faculty of Political Science. Retrieved from https://urn.nsk.hr/urn:nbn:hr:114:774088

Gashi, Rabije. "Romantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad." Master's thesis, University of Zagreb, The Faculty of Political Science, 2018. https://urn.nsk.hr/urn:nbn:hr:114:774088

Gashi, Rabije. "Romantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad." Master's thesis, University of Zagreb, The Faculty of Political Science, 2018. https://urn.nsk.hr/urn:nbn:hr:114:774088

Gashi, R. (2018). 'Romantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad', Master's thesis, University of Zagreb, The Faculty of Political Science, accessed 16 January 2025, https://urn.nsk.hr/urn:nbn:hr:114:774088

Gashi R. Romantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad [Master's thesis]. Zagreb: University of Zagreb, The Faculty of Political Science; 2018 [cited 2025 January 16] Available at: https://urn.nsk.hr/urn:nbn:hr:114:774088

R. Gashi, "Romantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad", Master's thesis, University of Zagreb, The Faculty of Political Science, Zagreb, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:114:774088

Metadata
TitleRomantizacija kriminala i moralne panike u televizijskim serijama: usporedba Sopranosa i Breaking Bad
Title (english)The Romanticism of Crime and Moral Panic in TV Series: Comparison of Sopranos and Breaking Bad
AuthorRabije Gashi
MentorZlatan Krajina (mentor)
Committee memberZlatan Krajina (predsjednik povjerenstva)
Committee memberZrinjka Peruško (član povjerenstva)
Committee memberAntonija Čuvalo (član povjerenstva)
GranterUniversity of Zagreb
The Faculty of Political Science
Zagreb
Defense date and country2018-09-26, Croatia
Scientific / art field,
discipline and subdiscipline		SOCIAL SCIENCES
Information and Communication Sciences
Journalism
Abstract
Analiza odabranih sekvenci u serijama Breaking Bad i Sopranos pomogla je u shvaćanju načina na koji narativ romantizira kriminal koji svakodnevno gledamo na televiziji. U obje su serije glavni likovi antijunaci - okorjeli kriminalci i serijski ubojice, ali i likovi koji su dobili simpatije publike. U oba je slučaja riječ o obiteljskim muškarcima koji na taj način žele osigurati svoju obitelj, o muškarcima koji prolaze kroz teška životna razdoblja i kojima je potrebna potpora. Analizom narativa pokazalo se kako narativ ovih serija romantizira kriminal, tako da romantizira likove koje ga provode, stavljajući publiku u poziciju da idealizira i opravdava djela glavnog lika kroz poistovjećivanje s njima ili osjećajem empatija zbog situacije kroz koje prolaze. Kroz pomaknute moralne prizme u serijama se vidi podjela na NJIH i NAS, aludirajući pritom na činjenicu kako su u oba slučaja protivnici i negativni likovi upravo oni koji bi u stvarnom životu bili protagonisti. Međutim, kroz te pomaknute vrijednosti, publika se priklanja kriminalnoj strani i podržava kriminalne antijunake.
Abstract (english)
The analysis of the selected sequences in Breaking Bad and Sopranos series helped to understand how the narrative romanticizes the crime we see on television every day. In both series, the main characters are antiheroes - criminals and serial killers, while, at the same time, being the characters whom the public sympathizes. In both cases it’s about family men who in this way want to secure their family, about men who go through difficult times and need support. Narrative analysis showed that the narrative of these series romanticizes crime by romanticizing the criminal characters, putting the audience in a position to idealize and justify the works of the main character by identifying with them or feeling empathy for the situations they are going through. Through the distorted moral prisms in the series, there is a division between THEM and US, alluding to the fact that in both cases opponents and negative characters are exactly the ones who would be the protagonists in real life. However, through these distorted values, the audience stands by the criminal antiheroes and their crimes.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:114:774088
Study programmeTitle: Journalism
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra novinarstva (magistar/magistra novinarstva)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2018-11-20 10:27:37