prikaz prve stranice dokumenta The Evolution of African American Discourse of Emancipation from Blues to Hip Hop
  Download
PDF 954.32 KB
master's thesis
The Evolution of African American Discourse of Emancipation from Blues to Hip Hop
Zagreb: University of Zagreb, The Faculty of Political Science, 2019. urn:nbn:hr:114:722626
Mance, Vilim
University of Zagreb
The Faculty of Political Science

Institutional repository: FPSZG repository

Cite this document

Mance, V. (2019). The Evolution of African American Discourse of Emancipation from Blues to Hip Hop (Master's thesis). Zagreb: University of Zagreb, The Faculty of Political Science. Retrieved from https://urn.nsk.hr/urn:nbn:hr:114:722626

Mance, Vilim. "The Evolution of African American Discourse of Emancipation from Blues to Hip Hop." Master's thesis, University of Zagreb, The Faculty of Political Science, 2019. https://urn.nsk.hr/urn:nbn:hr:114:722626

Mance, Vilim. "The Evolution of African American Discourse of Emancipation from Blues to Hip Hop." Master's thesis, University of Zagreb, The Faculty of Political Science, 2019. https://urn.nsk.hr/urn:nbn:hr:114:722626

Mance, V. (2019). 'The Evolution of African American Discourse of Emancipation from Blues to Hip Hop', Master's thesis, University of Zagreb, The Faculty of Political Science, accessed 29 November 2024, https://urn.nsk.hr/urn:nbn:hr:114:722626

Mance V. The Evolution of African American Discourse of Emancipation from Blues to Hip Hop [Master's thesis]. Zagreb: University of Zagreb, The Faculty of Political Science; 2019 [cited 2024 November 29] Available at: https://urn.nsk.hr/urn:nbn:hr:114:722626

V. Mance, "The Evolution of African American Discourse of Emancipation from Blues to Hip Hop", Master's thesis, University of Zagreb, The Faculty of Political Science, Zagreb, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:114:722626

Metadata
TitleThe Evolution of African American Discourse of Emancipation from Blues to Hip Hop
Title (croatian)Evolucija afroameričkog diskursa emancipacije od bluesa do hip hopa
AuthorVilim Mance
MentorKrešimir Petković (mentor)
Committee memberKrešimir Petković (predsjednik povjerenstva)
Committee memberAnka Kekez Koštro (član povjerenstva)
Committee memberMarko Grdešić (član povjerenstva)
GranterUniversity of Zagreb
The Faculty of Political Science
Zagreb
Defense date and country2019-09-25, Croatia
Scientific / art field,
discipline and subdiscipline		SOCIAL SCIENCES
Political Science
Public Policies/Public Management
Abstract
The aim of the paper is to explore political messages of African Americans’ emancipation from white oppression in blues and hip hop songs. Using discourse analysis and Mill’s method of induction combined with the most similar system design two hypotheses are formed. 1) songs in blues era (1910-1950) have an implicit and hidden discourse of emancipation, while songs from hip hop era (1979-1996) have explicit and direct discourse of emancipation and 2) variable responsible for such variation is political context, or in other words, existence of racist Jim Crow that denied African Americans their constitutional rights and which were subsequently eliminated via Civil Rights movement. Results, apart from strengthening the notion that music and politics can be intertwined, confirm two presupposed hypotheses but also signal further research directions of the topic, such as investigating emancipation in jazz or contemporary hip hop, and analyzing impact musicians can have on political attitudes or policy decisions.
Abstract (croatian)
Cilj rada jest istražiti političke poruke sa sadržajem emancipacije Afroamerikanaca od opresije bijelaca u bluesu i hip hopu. Koristeći diskurzivnu analizu i Millovu induktivnu metodu u kombinaciji sa dizajnom najsličnijih sustava oformljene su dvije hipoteze. 1) pjesme u blues eri (1910-1950) imaju implicitan diskurs emancipacije, dok pjesme iz hip hop ere (1979-1996) posjeduju eksplicitan diskurs emancipacije i 2) varijabla koja je odgovorna za tu varijaciju jest politički kontekst, odnosno postojanje rasističkih Jim Crow zakona temeljem kojih su Afroamerikancima uskraćena njihova ustavna prava te koji su postupno uništeni naporima Pokreta za građanska prava. Rezultati, osim što osnažuju ideju da glazba i politika mogu biti međusobno povezane, potvrđuju dvije pretpostavljene hipoteze te predlažu daljnje istraživačke smjerove u kojima tema može ići, poput istraživanja emancipacije u jazzu ili suvremenom hip hopu i analiziranja učinaka koji glazbenici mogu imati na političke stavove ili policy odluke.
Keywords
Keywords (croatian)
Languageenglish
URN:NBNurn:nbn:hr:114:722626
Study programmeTitle: Political Science
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra politologije (magistar/magistra politologije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2019-11-25 09:54:17