prikaz prve stranice dokumenta Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report
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Scientific paper - Original scientific paper
Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report
In: ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA. Split: University of Split, Arts Academy in Split; University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. pp. 995-1007. https://doi.org/10.31534/XI.asmosia.2015/08.19
Borovac, Tonči; Gluhan, Antonija; Radošević, Nikola

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Borovac, T., Gluhan, A. & Radošević, N. (2018). Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report. ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA (pp. 995-1007). Split: University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy. doi: 10.31534/XI.asmosia.2015/08.19

Borovac, Tonči, et al. "Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report." ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018, pp. 995-1007. https://urn.nsk.hr/urn:nbn:hr:123:119077

Borovac, Tonči, Antonija Gluhan and Nikola Radošević. "Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report." In ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, 995-1007. Split: University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. Accessed 2024 November 21. https://urn.nsk.hr/urn:nbn:hr:123:119077

Borovac, T., Gluhan, A. and Radošević, N. (2018) 'Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report', ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy, Split, pp. 995-1007. Available at: https://urn.nsk.hr/urn:nbn:hr:123:119077 (Accessed 21 November 2024)

Borovac T, Gluhan A, Radošević N. Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report. ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA. Split: University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy; 2018. Pp. 995-1007. [cited 2024 November 21] Available at: https://urn.nsk.hr/urn:nbn:hr:123:119077

T. Borovac, A. Gluhan and N. Radošević, "Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report", ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA Split: University of Split, Arts Academy in Split, University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2018. [Online] Available at: https://urn.nsk.hr/urn:nbn:hr:123:119077 [Accessed: 21 November 2024]

Metadata
Title (english)Faux Marbling Motifs in Early Christian Frescoes in Central and South Dalmatia: Preliminary Report
AuthorTonči Borovac
AuthorAntonija Gluhan
AuthorNikola Radošević
Author's institutionUniversity of Split
Arts Academy
(Fine Arts)
(Department of Conservation - Restoration)
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Applied Art
Restoration and Conservation
Abstract (english)
Throughout history, the faux marbling technique has been used as a more accessible substitute for natural marble and stone in decorating prestigious parts of structures of religious and secular use. The significance of this decorative technique in Dalmatia was expressed in the art of the Early Christian period, when reductions in the marble and stone market occurred due to the decay of the Roman Empire. The history and use of the faux marbling technique is under-researched and inadequately evaluated, especially along the eastern Adriatic coast. The aim of this study is to try to determine which types of natural marble or stone correspond to the examples of faux marbling found in archaeological sites presented. This comparison is expected to lay the foundation for a database for the classification of the types and origin of marble and stone used as templates in the implementation of imitations fabricated using the technique of faux marbling. The study used several representative examples of faux marbling on a number of sites in Central and Southern Dalmatia.
Keywords (english)
Languageenglish
Publication typeScientific paper - Original scientific paper
Publication statusPublished
Peer reviewPeer review - international
Publication versionPublished version
Publication titleASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA
Numberingpp. 995-1007
ISBN978-953-6617-49-4 (Arts Academy in Split (print))
ISBN978-953-6116-75-1 (Faculty of Civil Engineering, Architecture and Geodesy (print))
ISBN978-953-6617-51-7 (Arts Academy in Split (online))
ISBN978-953-6116-79-9 (Faculty of Civil Engineering, Architecture and Geodesy (online))
DOIhttps://doi.org/10.31534/XI.asmosia.2015/08.19
URN:NBNurn:nbn:hr:123:119077
Publication2018
ConferenceTitle: The XI International Conference of ASMOSIA
Acronym: ASMOSIA XI
Location: Split, Croatia
Start date: 2015-05-18
End date: 2015-05-22
Assembly type: Lecture
Document URLhttp://gradst.unist.hr/ostalo/izdavacka-djelatnost/a/view/id/4078
Type of resourceText
PublisherUniversity of Split, Arts Academy in Split
PublisherUniversity of Split, Faculty of Civil Engineering, Architecture and Geodesy
Publishing placeSplit
Access conditionsOpen access
Terms of useLicence In copyright icon
Public noteTonči Borovac and Antonija Gluhan, Croatian Conservation Institute Split, Split, Croatia (tborovac@h-r-z.hr; agluhan@gmail.com); Nikola Radošević, Arts Academy in Split, University of Split, Split, Croatia (radniko@gmail.com)
Created on2019-03-21 09:33:23