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master's thesis
Modna fotografija
Zagreb: University of Zagreb, Faculty of Graphic Arts, 2012. urn:nbn:hr:216:199873
Ajazaj, Emil
University of Zagreb
Faculty of Graphic Arts

Institutional repository: Faculty of Graphic Arts Repository

Cite this document

Ajazaj, E. (2012). Modna fotografija (Master's thesis). Zagreb: University of Zagreb, Faculty of Graphic Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:216:199873

Ajazaj, Emil. "Modna fotografija." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2012. https://urn.nsk.hr/urn:nbn:hr:216:199873

Ajazaj, Emil. "Modna fotografija." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2012. https://urn.nsk.hr/urn:nbn:hr:216:199873

Ajazaj, E. (2012). 'Modna fotografija', Master's thesis, University of Zagreb, Faculty of Graphic Arts, accessed 14 October 2024, https://urn.nsk.hr/urn:nbn:hr:216:199873

Ajazaj E. Modna fotografija [Master's thesis]. Zagreb: University of Zagreb, Faculty of Graphic Arts; 2012 [cited 2024 October 14] Available at: https://urn.nsk.hr/urn:nbn:hr:216:199873

E. Ajazaj, "Modna fotografija", Master's thesis, University of Zagreb, Faculty of Graphic Arts, Zagreb, 2012. Available at: https://urn.nsk.hr/urn:nbn:hr:216:199873

Metadata
TitleModna fotografija
AuthorEmil Ajazaj
MentorMiroslav Mikota (mentor)
Committee memberMiroslav Mikota (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Graphic Arts
Zagreb
Defense date and country2012-12-3, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Abstract
U ovom se diplomskom radu opisuje što je potrebno kako bi se dobila modna fotografija. Kvaliteta modne fotografije ovisi o brojnim elementima koji su međusobno povezani znanjem i iskustvom fotografa. Pri odabiru fotoopreme važno je znati koje su karakteristike u pojedinim komponentama bitnije, kako bi se nakon uložene investicije moglo nesmetano usmjeriti na posao. Modni fotograf osim znanja u radu s fotoaparatom mora posjedovati organizacijske sposobnosti pošto je fotograf vođa tima suradnika. Standardnu ekipu koja surađuje na snimanjima može se sastojati od stilistice, šminkerice, frizerke i modela. Nakon dobivene sirove fotografije slijedi postprodukcija, tj. obrada digitalne fotografije korištenjem programa Adobe Camera RAW i Photoshop. Opisan je postupak rada i alata u programu Photoshop, koji se koriste pri kompjutorskoj obradi boje, tona i cijelokupnog izgleda fotografije.
Abstract (english)
This master’s thesis describes what it takes to make a fashion photography. Quality of fashion photography depends on many elements that are interconnected with knowledge and experience of the photographer. When choosing photographic components it is important to know what characteristics of the individual components are more important. Fashion photographer besides the knowledge of working with the camera must have the organizational skills becouse a photographer is also a team leader. Standard team that collaborates on photoshooting may consist of stylist, makeup artist, hairdresser and model. Once the raw images are made, follows post-production in programs like Adobe Camera RAW and Photoshop. In this master’s thesis it is also shown working process and tools in Photoshop, which are used in computer processing of color, ton, and compete looks of photography.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:216:199873
Study programmeTitle: Graphic technology; specializations in: Graphic technology, Design of graphic products
Course: Graphic technology
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
Type of resourceText
File originBorn digital
Access conditionsClosed access
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Created on2024-04-17 08:54:47