prikaz prve stranice dokumenta Odabir tipografije u dizajnu
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master's thesis
Odabir tipografije u dizajnu
Zagreb: University of Zagreb, Faculty of Graphic Arts, 2010. urn:nbn:hr:216:845537
Dilberović, Ivan
University of Zagreb
Faculty of Graphic Arts

Institutional repository: Faculty of Graphic Arts Repository

Cite this document

Dilberović, I. (2010). Odabir tipografije u dizajnu (Master's thesis). Zagreb: University of Zagreb, Faculty of Graphic Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:216:845537

Dilberović, Ivan. "Odabir tipografije u dizajnu." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2010. https://urn.nsk.hr/urn:nbn:hr:216:845537

Dilberović, Ivan. "Odabir tipografije u dizajnu." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2010. https://urn.nsk.hr/urn:nbn:hr:216:845537

Dilberović, I. (2010). 'Odabir tipografije u dizajnu', Master's thesis, University of Zagreb, Faculty of Graphic Arts, accessed 18 July 2024, https://urn.nsk.hr/urn:nbn:hr:216:845537

Dilberović I. Odabir tipografije u dizajnu [Master's thesis]. Zagreb: University of Zagreb, Faculty of Graphic Arts; 2010 [cited 2024 July 18] Available at: https://urn.nsk.hr/urn:nbn:hr:216:845537

I. Dilberović, "Odabir tipografije u dizajnu", Master's thesis, University of Zagreb, Faculty of Graphic Arts, Zagreb, 2010. Available at: https://urn.nsk.hr/urn:nbn:hr:216:845537

Metadata
TitleOdabir tipografije u dizajnu
AuthorIvan Dilberović
MentorJesenka Pibernik (mentor)
Committee memberJesenka Pibernik (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Graphic Arts
Zagreb
Defense date and country2010-4-20, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Abstract
Na grafičkim proizvodima često su prisutni pismovni oblici koji se koriste u krive svrhe ili na neprikladan način. Upravo takav pristup tipografiji šalje krivu poruku krajnjem promatraču. Svrha ovog rada bila je olakšati pronalazak odgovarajućeg pismovnog oblika uz grafički element. Analizom grafičkog elementa (s obzirom na vizualni, povijesni i emocionalni aspekt) dodijeljen je odgovarajući pismovni oblik. Odabir odgovarajuće tipografije za dizajn ne znači pregledati pismovne oblike instalirane na računalu i odabrati zanimljiv, nego promišljeno i sustavno slušati što poruka govori, što teba govoriti promatraču te na koji način.
Abstract (english)
Typefaces on the graphic products are often used in a wrong way or in inappropriate manner. That kind of approach towards typography sends the wrong message to the recipient. The purpose of this study was to ease the way of finding the appropriate typeface according to specific graphic element. The analysis of graphic elements (considering the visual, historical and emotional aspects) results in assignation of an appropriate typeface. Choosing the appropriate typeface for design does not mean to review installed fonts on your computer and select the interesting ones, but prudently and systematically listen to what the message says, what should it say to recipient of the message and in which way.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:216:845537
Study programmeTitle: Graphic technology; specializations in: Graphic technology, Design of graphic products
Course: Graphic technology
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
Type of resourceText
File originBorn digital
Access conditionsClosed access
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Created on2024-04-17 09:56:13