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master's thesis
Grafički dizajn izrađen rukom
Zagreb: University of Zagreb, Faculty of Graphic Arts, 2010. urn:nbn:hr:216:148544
Prlić, Ana
University of Zagreb
Faculty of Graphic Arts

Institutional repository: Faculty of Graphic Arts Repository

Cite this document

Prlić, A. (2010). Grafički dizajn izrađen rukom (Master's thesis). Zagreb: University of Zagreb, Faculty of Graphic Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:216:148544

Prlić, Ana. "Grafički dizajn izrađen rukom." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2010. https://urn.nsk.hr/urn:nbn:hr:216:148544

Prlić, Ana. "Grafički dizajn izrađen rukom." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2010. https://urn.nsk.hr/urn:nbn:hr:216:148544

Prlić, A. (2010). 'Grafički dizajn izrađen rukom', Master's thesis, University of Zagreb, Faculty of Graphic Arts, accessed 18 August 2024, https://urn.nsk.hr/urn:nbn:hr:216:148544

Prlić A. Grafički dizajn izrađen rukom [Master's thesis]. Zagreb: University of Zagreb, Faculty of Graphic Arts; 2010 [cited 2024 August 18] Available at: https://urn.nsk.hr/urn:nbn:hr:216:148544

A. Prlić, "Grafički dizajn izrađen rukom", Master's thesis, University of Zagreb, Faculty of Graphic Arts, Zagreb, 2010. Available at: https://urn.nsk.hr/urn:nbn:hr:216:148544

Metadata
TitleGrafički dizajn izrađen rukom
AuthorAna Prlić
MentorJesenka Pibernik (mentor)
Committee memberJesenka Pibernik (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Graphic Arts
Zagreb
Defense date and country2010-1-00, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Abstract
Ovdje se ne radi o strogom opredjeljenju za ili protiv računala. Njegove su prednosti neupitne, ali ipak se nazire struja koja nas navodi na ponovno otkrivanje nečeg analognog i ljudskog u našem radu. Namjerno ne želim reći da nas vraća u prošlost jer je takvo što naprosto nemoguće u današnjem okruženju. Međutim, razmatranje i kombinacija različitih načina izrade potiče onu srž kreativnosti koja je potrebna svakom dizajneru koji se ne prepušta iluziji da se efekti u njegovim radovima mogu naučiti i potom automatizirano upotrebljavati. On shvaća da je taj izvor nepresušan, možda ga jedino treba ponekad ponovno pokrenuti. Prosječno, grafički dizajner provede oko 90% svog vremena na računalu. Ovaj rad se osvrće na one koji žele primijeniti "ne-digitalni" ili analogni pristup.
Abstract (english)
This work is not strictly in favor of or against computers. His advantages are undisputable, but still there is something going on that leads us to rediscover an analogue and human note in our work. Purposely, I don't want to adress this process as a return to past times, because it's just impossible to stop the progress. Nevertheless, consideration and combination of different means of production stimulates that essential creative core, desperatelly needed to every designer that repels the illusion that he/she can learn about special effects, and than constantly and automatically use them in their work. That designer realizes unfailingness of this source... except sometimes when it just needs a restart. Averagely, graphic designer spends about ninety per cent of his or her time working in front of computer. This work focuses on those who want to apply a „non-digital“ or analogue approach.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:216:148544
Study programmeTitle: Graphic technology; specializations in: Graphic technology, Design of graphic products
Course: Graphic technology
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
Type of resourceText
File originBorn digital
Access conditionsClosed access
Terms of useLicence In copyright icon
Created on2024-04-17 10:00:41