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master's thesis
Pokretna grafika
Zagreb: University of Zagreb, Faculty of Graphic Arts, 2008. urn:nbn:hr:216:438834
Babić, Nikša
University of Zagreb
Faculty of Graphic Arts

Institutional repository: Faculty of Graphic Arts Repository

Cite this document

Babić, N. (2008). Pokretna grafika (Master's thesis). Zagreb: University of Zagreb, Faculty of Graphic Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:216:438834

Babić, Nikša. "Pokretna grafika." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2008. https://urn.nsk.hr/urn:nbn:hr:216:438834

Babić, Nikša. "Pokretna grafika." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2008. https://urn.nsk.hr/urn:nbn:hr:216:438834

Babić, N. (2008). 'Pokretna grafika', Master's thesis, University of Zagreb, Faculty of Graphic Arts, accessed 18 July 2024, https://urn.nsk.hr/urn:nbn:hr:216:438834

Babić N. Pokretna grafika [Master's thesis]. Zagreb: University of Zagreb, Faculty of Graphic Arts; 2008 [cited 2024 July 18] Available at: https://urn.nsk.hr/urn:nbn:hr:216:438834

N. Babić, "Pokretna grafika", Master's thesis, University of Zagreb, Faculty of Graphic Arts, Zagreb, 2008. Available at: https://urn.nsk.hr/urn:nbn:hr:216:438834

Metadata
TitlePokretna grafika
AuthorNikša Babić
MentorJesenka Pibernik (mentor)
Committee memberJesenka Pibernik (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Graphic Arts
Zagreb
Defense date and country2008-3-00, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Abstract
Rad pregledava sinergiju dizajna, tehnologije i interaktivnosti koje oblikuju izradu pokretnih grafi ka. Spaja izglede medijskih tehnologija i sistema sa sviješću o kreativnom procesu, publikom i kretanjima u oblikovanju. Ta se pokretna grafi ka koristi kao sredstvo izražavanja milijuna ljudi, a to joj, uz sve njene prednosti i mane u odnosu na statični dizajn, osigurava mjesto u bližoj povijesti kakvu nije imao dosad niti jedan način kreativnog izražavanja ili komunikacije. Takva izmjena u odnosu korisnik/publika-producent/dizajner donijeti će za sobom zasigurno još jednu veliku promjenu u strukturi digitalnog prostora. Koristeći interpretativnu metodu analize medija, članak istražuje žanrovske, tekstualne i tehnološke karakteristke pokretne grafi ke.
Abstract (english)
The thesis examines the interplay of design, technology and interacitivity shaping the production of motion graphics. It combines the perspectives on media technology and systems with an awreness of the creative process, the audience and the trends shaping content. Motion graphics is used as a means of expression for millions of people, a fact which, with all its advantages and limitations compared to static design, ensures it a place in recent history as no other means of creative expression or communication has had. Such a change in the relationship user/audience – producer/designer will surely result in another great change in the structure of digital space. Using the interpretative method of media analysis, the paper explores the genre, narrative and technological features of motion graphics.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:216:438834
Study programmeTitle: Graphic technology; specializations in: Graphic technology, Design of graphic products
Course: Graphic technology
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
Type of resourceText
File originBorn digital
Access conditionsClosed access
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Created on2024-04-17 10:40:29