The visual aspect of photography is in its story, structure, color and experience, and therefore shares the same visual appeal with the film. We live in the digital age, in the era of cutting edge and fast-paced technologies, but all that triggers the most important thing - our mind, our imagination and our desire for learning, ie the desire for something new. The focus of the graduate thesis is to make and understand the process of film making, from the idea that is the starting point to the final product. The idea is the vision we have, and the idea is best presented with a storyboard. The purpose and purpose of this work is not in the work of the film itself, but in its structure, ie the film is composed and composed. Color, movement, sound, light are parts that are of graphic aspect to us, and are of great importance in making the film. In the theoretical part of the paper, an analysis of selected photographs and film scenes will be given to the viewers, mostly due to their graphic effects hidden in the background of these scenes. In the experimental part, the same effects will be copied to the scene of the film, which will be the final product of this work, and those same effects and scenes will be realized with photographic equipment and software for postproduction.