The theme of this thesis is “Television graphic”. It is an important segment of the TV broadcasters' identity and of the content being broadcasted, and reveals how the viewed content was shaped ideologically and socially. Thesis consists of two parts: practical work includes development of two motion graphics, and theoretical work deals with the history of television with respect to television identity. The theoretical part describes the creation of static bumpers in general, as they developed through history all the way to modern digital animation of today. Thesis elaborates the origin, characteristics and prospects of the practical part of TV credits in the form of motion graphics. It also provides guidelines for the development of practical part of thesis and for a case study. Analysis of the target group experiences is used to evaluate the performance and practical results. Results to be achieved by making the practical part of graduate work are innovative and creative solutions, which could open some new avenues and ideas in the development of television motion graphics.