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master's thesis
Usporedna analiza klasičnog i digitalnog fotografskog sustava
Zagreb: University of Zagreb, Faculty of Graphic Arts, 2016. urn:nbn:hr:216:657647
Kos, Jurica
University of Zagreb
Faculty of Graphic Arts

Institutional repository: Faculty of Graphic Arts Repository

Cite this document

Kos, J. (2016). Usporedna analiza klasičnog i digitalnog fotografskog sustava (Master's thesis). Zagreb: University of Zagreb, Faculty of Graphic Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:216:657647

Kos, Jurica. "Usporedna analiza klasičnog i digitalnog fotografskog sustava." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2016. https://urn.nsk.hr/urn:nbn:hr:216:657647

Kos, Jurica. "Usporedna analiza klasičnog i digitalnog fotografskog sustava." Master's thesis, University of Zagreb, Faculty of Graphic Arts, 2016. https://urn.nsk.hr/urn:nbn:hr:216:657647

Kos, J. (2016). 'Usporedna analiza klasičnog i digitalnog fotografskog sustava', Master's thesis, University of Zagreb, Faculty of Graphic Arts, accessed 12 September 2024, https://urn.nsk.hr/urn:nbn:hr:216:657647

Kos J. Usporedna analiza klasičnog i digitalnog fotografskog sustava [Master's thesis]. Zagreb: University of Zagreb, Faculty of Graphic Arts; 2016 [cited 2024 September 12] Available at: https://urn.nsk.hr/urn:nbn:hr:216:657647

J. Kos, "Usporedna analiza klasičnog i digitalnog fotografskog sustava", Master's thesis, University of Zagreb, Faculty of Graphic Arts, Zagreb, 2016. Available at: https://urn.nsk.hr/urn:nbn:hr:216:657647

Metadata
TitleUsporedna analiza klasičnog i digitalnog fotografskog sustava
AuthorJurica Kos
MentorMiroslav Mikota (mentor)
Committee memberIvana Žiljak-Stanimirović (član povjerenstva)
Committee memberMiroslav Mikota (član povjerenstva)
Committee memberNikola Mrvac (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Graphic Arts
Zagreb
Defense date and country2016-9-27, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Abstract
U svakodnevnom životu svi smo svjedoci korištenja, ali i prednosti digitalne fotografije i njezinog pohranjivanja. Fotografija se pojavljuje u mnogim područjima, no ovdje je naglasak stavljen na usporedbu klasične fotografije srednjeg formata i digitalne fotografije leica formata. Digitalni fotografski aparati omogućuju pregled snimaka na licu mjesta (bez razvijanja), što znači da fotograf može lako uočiti greške kod snimanja i ispraviti ih dok još nije prekasno. Postavlja se pitanje: Zašto određeni profesionalci još uvijek fotografiraju na film? S druge strane, mnogi fotografi s digitalnim sustavima pomoću obrade pokušavaju emulirati estetiku filma dobivenog klasičnim sustavima. Činjenica je da i danas uz svu tehnologiju postoji određena fascinacija koja obavija klasične sustave. Ta fascinacija može ležati u samim ograničenjima sustava koja fotografa tjeraju na pomno promišljanje kadrova, estetici filma koja se dugi niz godina provlači u obradi digitalnih fotografija (na kraju krajeva i popularna društvena mreža „Instagram“ počiva na toj polazišnoj točki). Kroz istraživanje i praktičnu analizu, cilj je objektivno razlučiti tehničku i emocionalnu vrijednost navedenih sustava te financijsku isplativost.
Abstract (english)
In everyday life we are all witnesses of use, but also the benefits of digital photography and its storage. Photography appears in many areas, but here the emphasis is placed on the comparison of classical medium format photography and digital photography SLRs. Digital cameras allow you to view images on the site (without development), which means that the photographer can easily spot the errors and correct them before it's too late. The question is: Why do certain professionals still use film photography? On the other hand, many digital photographers use software processing trying to emulate the aesthetics of the film obtained by conventional systems. The fact is that even today with all the technology there is a certain fascination that surrounds the classical systems. This fascination may lie in a single system constraints forcing photographers to closely examine the framing, the aesthetics of the film, which for many years are being emulated in digital photography (popular social network "Instagram" is based on that starting point). Through research and practical analysis, the goal is to objectively distinguish technical and emotional value of those systems, and financial viability.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:216:657647
Study programmeTitle: Graphic technology; specializations in: Graphic technology, Design of graphic products
Course: Graphic technology
Study programme type: university
Study level: graduate
Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2024-04-20 23:13:55