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undergraduate thesis
Ženski lik u grafici : bakropis i akvatinta
Zagreb: University of Zagreb, Faculty of Graphic Arts, 2019. urn:nbn:hr:216:222977
Želežić, Ena
University of Zagreb
Faculty of Graphic Arts

Institutional repository: Faculty of Graphic Arts Repository

Cite this document

Želežić, E. (2019). Ženski lik u grafici : bakropis i akvatinta (Undergraduate thesis). Zagreb: University of Zagreb, Faculty of Graphic Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:216:222977

Želežić, Ena. "Ženski lik u grafici : bakropis i akvatinta." Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, 2019. https://urn.nsk.hr/urn:nbn:hr:216:222977

Želežić, Ena. "Ženski lik u grafici : bakropis i akvatinta." Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, 2019. https://urn.nsk.hr/urn:nbn:hr:216:222977

Želežić, E. (2019). 'Ženski lik u grafici : bakropis i akvatinta', Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, accessed 18 November 2024, https://urn.nsk.hr/urn:nbn:hr:216:222977

Želežić E. Ženski lik u grafici : bakropis i akvatinta [Undergraduate thesis]. Zagreb: University of Zagreb, Faculty of Graphic Arts; 2019 [cited 2024 November 18] Available at: https://urn.nsk.hr/urn:nbn:hr:216:222977

E. Želežić, "Ženski lik u grafici : bakropis i akvatinta", Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, Zagreb, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:216:222977

Metadata
TitleŽenski lik u grafici : bakropis i akvatinta
AuthorEna Želežić
MentorJosip Jozić (mentor)
Committee memberMiroslav Mikota (član povjerenstva)
Committee memberJosip Jozić (član povjerenstva)
Committee memberKrešimir Dragčević (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Graphic Arts
Zagreb
Defense date and country2019-7-16, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Abstract
U ovom završnom radu istraţit će se kako se razvijao motiv ţene kroz povijest umjetnosti s naglaskom na originalnu grafiku (bakropis i akvatintu). Opisat će se razlike između grafičkih tehnika bakropisa i akvatinte te ispitati način na koji su se primjenjivale. Bakropis i akvatinta tehnike su dubokog tiska koje koriste kiselinu kako bi kreirale motiv u metalnoj pločici, no primjenjuju se u različite svrhe. Za dobivanje linija različitih svjetlina koristi se bakropis, a za dobivanje ploha različitih svjetlina koristi se akvatinta. Analizirat će se najčešći motivi značajnih grafičara te obratiti pozornost na prikaz ţena kroz razvoj tehnike i promjenu društvenih odnosa. Ţena se kroz povijest smatrala manje vrijednom - sluškinjom koja se svodila na imovinu ili ulogu majke što su i odraţavali mitološki i religiozni motivi u likovnoj umjetnosti. Razvoj društva pridonio je promjeni uloge i slike ţene te su one postajale sve samostalnije i uključile se u pridonošenje umjetnosti vlastitim radovima. Praktični dio ovog završnog rada obuhvatit će opis postupka izrade vlastite originalne grafike, upozoriti na greške pri radu te analizirati likovne utjecaje.
Abstract (english)
This final paper will explore the development of the motif of a woman through the history of old master print (etching and aquatint). It will describe the differences between the printmaking techniques of etching and aquatint. Etching and aquatint both belong to the intaglio printmaking techniques which use acid to create a design in the metal plate, but they are used for different purposes. Etching is used for creating lines of varying intensity while aquatint is used for creating areas of different tone. The most frequent motives of old master prints will be analyzed and compared to the position of women through the development of printmaking and social relationships. Throughout history woman was considered less worthy. She was a maid, a man's possesion or a mother which was reflected in mythological and religious motifs of art. Changes in socio - political stances helped women to become independent and to be seen differently. Experimental part of this paper will describe the process of printmaking and warn about mistakes that can be made during the process as well as explain artistic influence.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:216:222977
Study programmeTitle: Printing technology, course Technical - technological
Course: Graphic technology
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
Type of resourceText
File originBorn digital
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Created on2024-04-16 15:50:44