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undergraduate thesis
Uloga boje u filmovima Wesa Andersona
Zagreb: University of Zagreb, Faculty of Graphic Arts, 2022. urn:nbn:hr:216:069862
Kostanjevec, Tea
University of Zagreb
Faculty of Graphic Arts

Institutional repository: Faculty of Graphic Arts Repository

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Kostanjevec, T. (2022). Uloga boje u filmovima Wesa Andersona (Undergraduate thesis). Zagreb: University of Zagreb, Faculty of Graphic Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:216:069862

Kostanjevec, Tea. "Uloga boje u filmovima Wesa Andersona." Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, 2022. https://urn.nsk.hr/urn:nbn:hr:216:069862

Kostanjevec, Tea. "Uloga boje u filmovima Wesa Andersona." Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, 2022. https://urn.nsk.hr/urn:nbn:hr:216:069862

Kostanjevec, T. (2022). 'Uloga boje u filmovima Wesa Andersona', Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, accessed 19 December 2024, https://urn.nsk.hr/urn:nbn:hr:216:069862

Kostanjevec T. Uloga boje u filmovima Wesa Andersona [Undergraduate thesis]. Zagreb: University of Zagreb, Faculty of Graphic Arts; 2022 [cited 2024 December 19] Available at: https://urn.nsk.hr/urn:nbn:hr:216:069862

T. Kostanjevec, "Uloga boje u filmovima Wesa Andersona", Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, Zagreb, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:216:069862

Metadata
TitleUloga boje u filmovima Wesa Andersona
AuthorTea Kostanjevec
MentorDaria Mustić (mentor)
Committee memberKrešimir Dragčević (član povjerenstva)
Committee memberDaria Mustić (član povjerenstva)
Committee memberDorotea Kovačević (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Graphic Arts
Zagreb
Defense date and country2022-09-22, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Abstract
Ovaj završni rad, detaljnom analizom filmova Wesa Andersona, istražuje jezik boja. Glavni cilj ovoga rada je prikazati kako je znanje o teoriji boja nužno pri produkciji filma. Kako bi stekli što bolje razumijevanje, ovaj rad razlučuje komponente teorije boja i detaljno ih razrađuje uporabom analize različitih filmova. Oslanjajući se na teoriju boja, Anderson je stvorio vlastitu estetiku i tako pažljivo birao kombinacije boja. Koristeći se skladnim i upečatljivim paletama, obojao je svoje svjetove i tako stvorio njihov autentičan i vrlo sjetan izgled. Također, uporabom različitih nijansi boja izgradio je karaktere svojih likova i odnose među njima. Uravnotežene i savršene kolorističke kompozicije koristio je kako bi prikazao, ne samo dekorativni, već i narativni, simbolički i komunikacijski potencijal boje.
Abstract (english)
This final paper, through a detailed analysis of Wes Anderson's films, explores the language of color. The main goal of this paper is to show how knowledge of color theory is necessary for film production. In order to gain a better understanding, this paper separates the components of color theory and elaborates them in detail using the analysis of different films. Relying on color theory, Anderson created his own aesthetic and thus carefully selected color combinations. Using harmonious and striking palettes, he painted his worlds and thus created their authentic and very dreamy appearance. Also, by using different shades of colors, he built the personality of his characters and the relationships between them. He used balanced and perfect color compositions to show not only the decorative, but also the narrative, symbolic and communicative potential of color.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:216:069862
Study programmeTitle: Printing technology, course Technical - technological
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2024-04-16 11:36:37