This thesis examines the Croatian community of craft beer lovers through the theory of postmodern (neotribal) communities. The paper presents the most relevant theoretical discussions of communities in classical and contemporary sociology with a focus on neotribal communities. After presented sociological theory, the paper presents the emergence and development of „craft“ movement in the world, as well as characteristics of „craft“ community. The research is based on a qualitative questioning of 5 examinees which declared themselves as beer lovers by the method of semi-structured in-depth interview. The results of the research come to the conclusion that this community can be referred to as the postmodern neotribal community. The research also reveals some of its key features – sources of togetherness are the high quality of beer and good atmosphere, and new members are generated mainly by the recommendations of existing members. Members perform common practices of consuming „craft“ beers and visiting „craft“ events, and there is also a form of internal ritual gatherings called „tastings“. Members of this community are not linked by high intensity, but collective identity still exists and it develops itself through the performance of common practices.