| Abstract | U ovom je radu prikazana tradicija crkvenog pučkog pjevanja u župi Studenci, s posebnim naglaskom na njegovu povijest, običaje i liturgijsku praksu, kao i na glazbene karakteristike napjeva vezanih uz različite liturgijske i obredne kontekste. U prvom dijelu rada, kroz povijesni pregled, obrađuje se razvoj župe Studenci od njezina osnivanja do danas, s posebnim osvrtom na duhovni život i pastoralne aktivnosti koje su oblikovale njezin identitet. Drugi dio rada posvećen je običajima i liturgijskim praksama koje su duboko ukorijenjene u tradiciji župe. Opisani su božićni, korizmeni, uskrsni i pogrebni običaji, pružajući uvid u kulturnu i duhovnu baštinu župe pod čijim se utjecajima razvila posebnost studenačkih napjeva. Rad se zatim usredotočuje na crkveno pučko pjevanje, posebice u kontekstu Konstitucije Sacrosanctum Concilium koja je reformirala liturgiju Katoličke crkve i utjecala na lokalne liturgijske prakse. Posebna pozornost posvećena je zboru i pučkim pjevačima te različitim napjevima koji su sastavni dio obredne prakse u župi Studenci. Analizirani su božićni, korizmeni, uskrsni i pogrebni napjevi, kao i napjevi starijeg podrijetla, uz osvrt na njihovu impostaciju, glazbene karakteristike i posebnost u odnosu na napjeve iz okružja. Rad naglašava važnost očuvanja ovih napjeva kao kulturnog naslijeđa i njihove uloge u održavanju zajedničkog identiteta i duhovnosti unutar zajednice župe Studenci. |
| Abstract (english) | This paper presents the tradition of church folk singing in Studenci parish, with a special emphasis on its history, customs, and liturgical practice, as well as on the musical characteristics of chants related to different liturgical and ritual contexts. In the first part of the work, through a historical overview, the development of Studenci parish from its foundation to the present day is discussed, with a special focus on the spiritual life and pastoral activities that shaped its identity. The second part of the work is devoted to customs and liturgical practices that are deeply rooted in the parish tradition. Christmas, Lent, Easter, and funeral customs are described, providing an insight into the cultural and spiritual heritage of the parish under the influence of which the uniqueness of student chants developed. The paper then focuses on church folk singing, especially in the context of the Constitution Sacrosanctum Concilium, which reformed the liturgy of the Catholic Church and influenced local liturgical practices. Special attention is paid to the choir and folk singers, as well as to the various chants that are an integral part of the ritual practice in Studenci parish. Christmas, Lent, Easter, and funeral carols, as well as carols of older origin, were analyzed, with a review of their setting, musical characteristics, and uniqueness in relation to local carols. The work emphasizes the importance of preserving these chants as cultural heritage and their role in maintaining common identity and spirituality within the community of Studenci parish. |
