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master's thesis
Razlike u redakturi značajnih djela za klarinet
Zagreb: University of Zagreb, Music Academy, 2015. urn:nbn:hr:116:916110
Lučić, Lovre
University of Zagreb
Academy of Music

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Lučić, L. (2015). Razlike u redakturi značajnih djela za klarinet (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:916110

Lučić, Lovre. "Razlike u redakturi značajnih djela za klarinet." Master's thesis, University of Zagreb, Academy of Music, 2015. https://urn.nsk.hr/urn:nbn:hr:116:916110

Lučić, Lovre. "Razlike u redakturi značajnih djela za klarinet." Master's thesis, University of Zagreb, Academy of Music, 2015. https://urn.nsk.hr/urn:nbn:hr:116:916110

Lučić, L. (2015). 'Razlike u redakturi značajnih djela za klarinet', Master's thesis, University of Zagreb, Academy of Music, accessed 02 December 2024, https://urn.nsk.hr/urn:nbn:hr:116:916110

Lučić L. Razlike u redakturi značajnih djela za klarinet [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2015 [cited 2024 December 02] Available at: https://urn.nsk.hr/urn:nbn:hr:116:916110

L. Lučić, "Razlike u redakturi značajnih djela za klarinet", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2015. Available at: https://urn.nsk.hr/urn:nbn:hr:116:916110

Metadata
TitleRazlike u redakturi značajnih djela za klarinet
AuthorLovre Lučić
MentorDavorin Brozić (mentor)
GranterUniversity of Zagreb
Academy of Music
Zagreb
Defense date and country2015-06-23, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
Ovim radom se ukazuje na poteškoće u izvedbi određenih djela za klarinet koje su uzrokovane lošim notnim izdanjima. Rad je prvenstveno orijentiran na prva notna izdanja i razlike, odnosno pogreške, koje su nastale u odnosu na kompozitorov rukopis. S jedne strane, te su pogreške rezultat lošeg čitanja rukopisa od strane urednika, odnosno redaktora, pa se pojavljuju kao klasične štamparske greške. S druge pak strane, vidjeti ćemo na nekim primjerima da neke izmjene u odnosu na rukopis nastaju odlukom urednika, koliko zbog samovolje, toliko i zbog nestručnosti. Kompozitori spomenuti u ovom radu čine glavni opus klarinetske literature: Mozart, Weber, Schumann, Debussy, Copland. U radu su dane preporuke za izdanja koja su što vjernija urtekstu, nasuprot onima zbog kojih smo u već više od stotinjak godina svjedoci loših i nedosljednih interpretacija.
Abstract (english)
This article refers to the difficulty in performing certain works for clarinet , which are caused by bad music editions . The work is primarily focused on the first musical scores and differences , or errors arising in relation to the composers manuscript . On the one hand, those errors are a result of poor reading manuscripts by the editors and reviewers, so they appear as a classical typographical errors . On the other hand, we see in some cases that some modifications to the script generated by the decision of the editor, but because of self-will, and partly because of incompetence. Composers have mentioned in this article constitute a major opus clarinet literature: Mozart, Weber, Schumann, Debussy, Copland. The paper also recommend issues that are as faithful to the urtext, as opposed to those for which we are already more than a hundred years witnesses of a poor and inconsistent interpretation.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:916110
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Clarinet
Course: Clarinet
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2016-09-02 09:51:13