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master's thesis
Kompozicijska teorija Miltona Babbitta i analiza "Triju skladbi za klavir" (1947.)
Zagreb: University of Zagreb, Academy of Music, 2018. urn:nbn:hr:116:652754
Rebrina, Ana
University of Zagreb
Academy of Music
Composition and Music Theory Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

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Rebrina, A. (2018). Kompozicijska teorija Miltona Babbitta i analiza "Triju skladbi za klavir" (1947.) (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:652754

Rebrina, Ana. "Kompozicijska teorija Miltona Babbitta i analiza "Triju skladbi za klavir" (1947.)." Master's thesis, University of Zagreb, Academy of Music, 2018. https://urn.nsk.hr/urn:nbn:hr:116:652754

Rebrina, Ana. "Kompozicijska teorija Miltona Babbitta i analiza "Triju skladbi za klavir" (1947.)." Master's thesis, University of Zagreb, Academy of Music, 2018. https://urn.nsk.hr/urn:nbn:hr:116:652754

Rebrina, A. (2018). 'Kompozicijska teorija Miltona Babbitta i analiza "Triju skladbi za klavir" (1947.)', Master's thesis, University of Zagreb, Academy of Music, accessed 03 January 2025, https://urn.nsk.hr/urn:nbn:hr:116:652754

Rebrina A. Kompozicijska teorija Miltona Babbitta i analiza "Triju skladbi za klavir" (1947.) [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2018 [cited 2025 January 03] Available at: https://urn.nsk.hr/urn:nbn:hr:116:652754

A. Rebrina, "Kompozicijska teorija Miltona Babbitta i analiza "Triju skladbi za klavir" (1947.)", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:116:652754

Metadata
TitleKompozicijska teorija Miltona Babbitta i analiza "Triju skladbi za klavir" (1947.)
AuthorAna Rebrina
MentorSanja Kiš Žuvela (mentor)
GranterUniversity of Zagreb
Academy of Music
(Composition and Music Theory Department)
Zagreb
Defense date and country2018-07-03, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Art Sciences
Musicology and Ethnomusicology
Abstract
Kompozicijska teorija Miltona Babbitta oslanja se na Schönbergove i Webernove postupke te ih proširuje na organizaciju svih parametara glazbe. Korijeni svih inovacija koje je predstavio kroz svoje dugo stvaralaštvo vidljivi su već u ranom opusu. Neke od inovacija predstavljene su u analizi Triju skladbi za klavir [Three Compositions for Piano], a uključuju teoriju o svekombinatornim heksakordima, predsređivanje građe materijala u potki, organizaciju ritma i ostalih parametara. Prva od Triju skladbi za klavir često se spominje u literaturi, više je puta analizirana i često se uzima kao primjer za Babbittove uobičajene kompozicijske postupke. To nije slučaj s drugim dvjema skladbama, o kojima se gotovo uopće nije pisalo. Formalno-tehnička analiza otkriva povezanost i artikulaciju materijala u svakoj skladbi posebno, ali i na razini trostavačne cjeline. Osim materijala i načina njegova predsređenja ova analiza ispituje i druge, slušno prepoznatljive elemente i nastoji ih povezati s formom svake od triju skladbi.
Abstract (english)
Milton Babbitt's compositional theory is mostly infuenced by Schoenberg's and Webern's combinatorial techniques. Babbitt expanded their application to several other parameters of music. The roots of all innovations that he presented throughout his long opus can be recognised already in his early compositions. Some of the innovations are presented in this analysis of Three Compositions for Piano: the theory of all-combinatorial hexachords, preorganization of material into arrays, organization of rhythm and other parameters. The first of Three Compositions for Piano was often the subject of analyses and other writings, and it is used as an example of Babbitt's typical compositional procedures. This was not the case with other two compositions, which are rarely mentioned in scholarly papers. The present technical analysis discovers connections within each composition and within the three compositions as a cyclic work. Apart from the material and its organization, this analysis also examines other, aurally recognizable elements and attempts to connect them with the formal features of each of the three compositions.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:652754
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme in Music Theory
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2018-10-19 07:35:02