prikaz prve stranice dokumenta Roland Barthes kao slušatelj
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master's thesis
Roland Barthes kao slušatelj
Zagreb: University of Zagreb, Academy of Music, 2018. urn:nbn:hr:116:832049
Sviben, Jelena
University of Zagreb
Academy of Music
Musicology Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Sviben, J. (2018). Roland Barthes kao slušatelj (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:832049

Sviben, Jelena. "Roland Barthes kao slušatelj." Master's thesis, University of Zagreb, Academy of Music, 2018. https://urn.nsk.hr/urn:nbn:hr:116:832049

Sviben, Jelena. "Roland Barthes kao slušatelj." Master's thesis, University of Zagreb, Academy of Music, 2018. https://urn.nsk.hr/urn:nbn:hr:116:832049

Sviben, J. (2018). 'Roland Barthes kao slušatelj', Master's thesis, University of Zagreb, Academy of Music, accessed 29 August 2024, https://urn.nsk.hr/urn:nbn:hr:116:832049

Sviben J. Roland Barthes kao slušatelj [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2018 [cited 2024 August 29] Available at: https://urn.nsk.hr/urn:nbn:hr:116:832049

J. Sviben, "Roland Barthes kao slušatelj", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:116:832049

Metadata
TitleRoland Barthes kao slušatelj
AuthorJelena Sviben
MentorDalibor Davidović (mentor)
GranterUniversity of Zagreb
Academy of Music
(Musicology Department)
Zagreb
Defense date and country2018-10-31, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Art Sciences
Musicology and Ethnomusicology
Abstract
U spisima o glazbi Rolanda Barthesa moguće je primijetiti dva „tona“ kojima se govori o slušanju. Prvi je onaj koji slušanje opisuje kao pasivno i receptivno i smješta ga u građansku kulturu, što je, za Barthesa, negativan kontekst. Drugi je onaj kojim Barthes govori o vlastitu slušanju. S obzirom na to da uz vlastito slušanje Barthes spominje tijelo, kao i to da ističe svoju praksu sviranja klavira, lako se stječe dojam da je Barthes prije svega svirač-amater, a ne slušatelj. Ovaj se rad bavi ispitivanjem mogućnosti da se Barthesa shvati kao onoga tko sluša, a ne samo kao onoga tko svira.
Abstract (english)
Two different ‘tones’ of speaking about listening are discernible in Roland Barthes’ writings on music. The first one describes listening as something passive and receptive, and places it in the bourgeois culture, which for Barthes, is a negative context. The second is the tone Barthes uses to describe his own listening. Regarding the fact that when speaking about his own listening, Barthes will often mention the body, as well as his piano practice, he can easily be thought of as an amateur player rather than a listener. This paper examines the possibilities for thinking about Barthes as someone who listens and not only someone who plays.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:832049
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme in Musicology; specializations in: Musicology, Ethnomusicology
Course: Musicology
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzikologije (magistar/magistra muzikologije)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2018-11-20 11:07:57