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master's thesis
Sviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja
Zagreb: University of Zagreb, Music Academy, 2018. urn:nbn:hr:116:171216
Bilić, Franjo
University of Zagreb
Academy of Music
Piano, Organ and Harpsichord Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

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Bilić, F. (2018). Sviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:171216

Bilić, Franjo. "Sviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja." Master's thesis, University of Zagreb, Academy of Music, 2018. https://urn.nsk.hr/urn:nbn:hr:116:171216

Bilić, Franjo. "Sviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja." Master's thesis, University of Zagreb, Academy of Music, 2018. https://urn.nsk.hr/urn:nbn:hr:116:171216

Bilić, F. (2018). 'Sviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja', Master's thesis, University of Zagreb, Academy of Music, accessed 09 January 2025, https://urn.nsk.hr/urn:nbn:hr:116:171216

Bilić F. Sviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2018 [cited 2025 January 09] Available at: https://urn.nsk.hr/urn:nbn:hr:116:171216

F. Bilić, "Sviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:116:171216

Metadata
TitleSviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja
AuthorFranjo Bilić
MentorPavao Mašić (mentor)
GranterUniversity of Zagreb
Academy of Music
(Piano, Organ and Harpsichord Department)
Zagreb
Defense date and country2018-07-05, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Reproductive Music (Conducting, Singing, Playing an Instrument)
Abstract
U ovome diplomskom radu predstavit ću sviranje klavikorda kao preduvjet kvalitetnijeg sviranja klavira, čembala i orgulja. Temu sam koncipirao u četiri glavna dijela u kojima ću ponajprije smjestiti klavikord u povijesni kontekst 18. stoljeću u kojem je imao najširu uporabu. Potom ću objasniti mehaniku klavikorda iz čega će zatim proizlaziti svi zaključci vezani za utjecaj na ostale instrumente s tipkama (klavir, čembalo i orgulje). U posljednjem dijelu rada potkrijepit ću iznesene tvrdnje povijesnim citatima iz razdoblja od 16. do 19. stoljeća, kako bismo dobili pregled mnogih aspekata važnosti klavikorda za ostale instrumente s tipkama. Za ovaj diplomski rad koristio sam stručnu literaturu i povijesne spise na engleskome i njemačkom jeziku te stručne časopise koji se bave temom klavikorda.
Abstract (english)
In this Graduate thesis, my subject is the importance of playing the clavichord as a precondition for sufficient playing of the piano, harpsichord, and organ. The subject is conceived in four main parts. Firstly, I will put the clavichord into the historical context of the 18th century in which it was widely popular. Secondly, I will explain the mechanics of clavichord from which all the conclusion will be derived for influence on other keyboard instruments (piano, harpsichord, and organ). In the final part, I will present historical records as arguments for conclusions of the previous part, as to get the full perspective of all aspects on the importance of the clavichord for other keyboard instruments. I used expert literature and historical treatises on both English and German language and expert magazine which deal with subjects about clavichord.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:116:171216
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Violoncello, Double Bass, Guitar, Piano, Organ
Course: Organ
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2018-11-20 11:43:13