prikaz prve stranice dokumenta F. Chopin: Preludiji, op. 28
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master's thesis
F. Chopin: Preludiji, op. 28
formalna, tehnička i interpretativna analiza
Zagreb: University of Zagreb, Music Academy, 2019. urn:nbn:hr:116:947496
Petković, Dora
University of Zagreb
Academy of Music
Piano, Organ and Harpsichord Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Petković, D. (2019). F. Chopin: Preludiji, op. 28 : formalna, tehnička i interpretativna analiza (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:947496

Petković, Dora. "F. Chopin: Preludiji, op. 28 : formalna, tehnička i interpretativna analiza." Master's thesis, University of Zagreb, Academy of Music, 2019. https://urn.nsk.hr/urn:nbn:hr:116:947496

Petković, Dora. "F. Chopin: Preludiji, op. 28 : formalna, tehnička i interpretativna analiza." Master's thesis, University of Zagreb, Academy of Music, 2019. https://urn.nsk.hr/urn:nbn:hr:116:947496

Petković, D. (2019). 'F. Chopin: Preludiji, op. 28 : formalna, tehnička i interpretativna analiza', Master's thesis, University of Zagreb, Academy of Music, accessed 03 December 2024, https://urn.nsk.hr/urn:nbn:hr:116:947496

Petković D. F. Chopin: Preludiji, op. 28 : formalna, tehnička i interpretativna analiza [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2019 [cited 2024 December 03] Available at: https://urn.nsk.hr/urn:nbn:hr:116:947496

D. Petković, "F. Chopin: Preludiji, op. 28 : formalna, tehnička i interpretativna analiza", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:116:947496

Metadata
TitleF. Chopin: Preludiji, op. 28 : formalna, tehnička i interpretativna analiza
AuthorDora Petković
MentorSrđan Filip Čaldarović (mentor)
GranterUniversity of Zagreb
Academy of Music
(Piano, Organ and Harpsichord Department)
Zagreb
Defense date and country2019-06-28, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Reproductive Music (Conducting, Singing, Playing an Instrument)
Abstract
Ovaj rad donosi kratku biografiju Frédérica Chopina, osvrt na njegovo stvaralaštvo i utjecaj te osvrt na preludij kao glazbenu formu općenito. Najveći dio rada bavi se njegovim ciklusom od 24 preludija (op. 28) i prikazuje njihovu formalnu, tehničku i interpretativnu analizu. Budući da ovo djelo čini velik dio programa mojega diplomskog koncerta, želja mi je bila upoznati se s preludijima na dubljoj razini i napisati detaljnu analizu svakog. Uz istraživanje mnogih izvora o skladatelju i glazbi, samoj analizi preludija uvelike je pridonio i moj praktičan rad na Preludijima, tj. višemjesečno vježbanje, rad s raznim profesorima i slušanje referentnih izvedbi. Ovaj rad prvenstveno je namijenjen čitateljima koji su upoznati s problematikom izvođenja Chopinove glazbe te se žele pobliže upoznati s mogućim načinima vježbanja i izvođenja njegovih preludija.
Abstract (english)
This paper brings a short biography of Frederic Chopin, a review of his work and impact and a review of the prelude as a music form in general. It mostly focuses on his cycle of 24 preludes (op.28) so it provides their formal, technical and interpretative analysis. Due to the fact that this piece makes up a great part of my graduation recital repertoire, my goal was to understand it on a deeper level and to write a detailed analysis of each prelude. Together with different sources used for research about the composer and his music, what also contributed to my analysis of the preludes was the practical work I put into them – this includes months of practice, working with different professors and listening to performances by acclaimed pianists. This paper is intended primarily for readers who are familiar with the problems related to playing Chopin's music and who wish to better understand the possible tactics used in practicing and performing his preludes.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:947496
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Violoncello, Double Bass, Guitar, Piano, Organ
Course: Guitar
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2019-07-03 08:47:18