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master's thesis
Razvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria
Zagreb: University of Zagreb, Academy of Music, 2021. urn:nbn:hr:116:424521
Tarbuk, Sebastian
University of Zagreb
Academy of Music
Wind Instruments Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Tarbuk, S. (2021). Razvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:424521

Tarbuk, Sebastian. "Razvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria." Master's thesis, University of Zagreb, Academy of Music, 2021. https://urn.nsk.hr/urn:nbn:hr:116:424521

Tarbuk, Sebastian. "Razvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria." Master's thesis, University of Zagreb, Academy of Music, 2021. https://urn.nsk.hr/urn:nbn:hr:116:424521

Tarbuk, S. (2021). 'Razvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria', Master's thesis, University of Zagreb, Academy of Music, accessed 14 July 2024, https://urn.nsk.hr/urn:nbn:hr:116:424521

Tarbuk S. Razvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2021 [cited 2024 July 14] Available at: https://urn.nsk.hr/urn:nbn:hr:116:424521

S. Tarbuk, "Razvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2021. Available at: https://urn.nsk.hr/urn:nbn:hr:116:424521

Metadata
TitleRazvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria
AuthorSebastian Tarbuk
MentorTomislav Oliver (mentor)
GranterUniversity of Zagreb
Academy of Music
(Wind Instruments Department)
Zagreb
Defense date and country2021-06-18, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Reproductive Music (Conducting, Singing, Playing an Instrument)
Abstract
Ovaj rad istražuje kontekst Sequenza XII Luciana Beria i njegovu dramatiku instrumentalne glazbe u toj skladbi pomoću opsežnog objašnjenja proširenih tehnika koje je razvio i katalogizirao Pascal Gallois, te utjecaj koji je skladba imala na repertoar suvremene glazbe za fagot. Novom metodom analize glazbenih uzoraka nastoji se ukazati na ulogu proširenih tehnika 20. stoljeća na sam glazbeni oblik skladbe.
Abstract (english)
This paper explores the context of Luciano Berio’s Sequenza XII and his instrumental theatre of the piece using an extensive explanation of the extended techniques developed and catalogued by pascal Gallois, as well as the impact of the composition on the contemporary music repertoire for the bassoon. Using a new method of pattern analysis, the work strives to elaborate on the role of the extended techniques on the musical form of the composition.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:424521
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Guitar, Piano, Organ, Harpsichord, Euphonium, Tamboura, Violoncello, Double Bass
Course: Bassoon
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2021-09-14 08:52:29