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master's thesis
Jezik improvizacije
Zagreb: University of Zagreb, Academy of Music, 2022. urn:nbn:hr:116:056823
Hrkać, Ivana
University of Zagreb
Academy of Music
Piano, Organ and Harpsichord Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Hrkać, I. (2022). Jezik improvizacije (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:056823

Hrkać, Ivana. "Jezik improvizacije." Master's thesis, University of Zagreb, Academy of Music, 2022. https://urn.nsk.hr/urn:nbn:hr:116:056823

Hrkać, Ivana. "Jezik improvizacije." Master's thesis, University of Zagreb, Academy of Music, 2022. https://urn.nsk.hr/urn:nbn:hr:116:056823

Hrkać, I. (2022). 'Jezik improvizacije', Master's thesis, University of Zagreb, Academy of Music, accessed 10 January 2025, https://urn.nsk.hr/urn:nbn:hr:116:056823

Hrkać I. Jezik improvizacije [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2022 [cited 2025 January 10] Available at: https://urn.nsk.hr/urn:nbn:hr:116:056823

I. Hrkać, "Jezik improvizacije", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:116:056823

Metadata
TitleJezik improvizacije
Title (english)The language of improvisation
AuthorIvana Hrkać
MentorMario Penzar (mentor)
GranterUniversity of Zagreb
Academy of Music
(Piano, Organ and Harpsichord Department)
Zagreb
Defense date and country2022-03-31, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Reproductive Music (Conducting, Singing, Playing an Instrument)
Abstract
Improvizacija je pojam koji podrazumijeva slobodu umjetnika. Nastaje u trenutku i ne zapisuje se. Kao takva je „strano tijelo“ u cjelokupnom učenju o teoriji glazbe i njenom izvođenju. Zahtijeva visoku razinu znanja, vještina te snalaženje izvođača. U ovom ću se radu posvetiti improvizaciji u umjetnostima, kognitivnim zahtjevima koje stavlja pred umjetnika te važnosti poznavanja značajki stila koje odlikuju određeno razdoblje. Nadalje, posvetiti ću pozornost orguljskoj improvizaciji te njenom razvoju od 15. do 20. stoljeća. Usporedba jezika i glazbe koja je zadnji dio rada, nastala je kao želja za dubljim povezivanjem među umjetnostima koje u sebi kriju čar improvizacije.
Abstract (english)
Improvisation is a term which assumes the freedom of the artist. It happens in the moment, and therefore, isn't written down. As such it is a "foreign object" in the study of music theory and it's performance. Improvisation requires a high degree of knowledge, skill and keenes on the part of the performer. This thesis is dedicated to improvisation in the arts, and the cognitive challenges it poses to the artists, in addition to the importance of knowing the key stylistic aspects which accent certain stylistic periods. Furthermore, the thesis will focus on organ improvisation in its development from the 15th to the 20th centuries. The comparison between language and music, which marks the last part of the thesis, grew out of the desire for a deeper connection between art forms which carry the beauty of improvisation in their depths
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:056823
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Guitar, Piano, Organ, Harpsichord, Euphonium, Tamboura, Violoncello, Double Bass
Course: Organ
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-04-08 08:24:07