prikaz prve stranice dokumenta Analiza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča
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master's thesis
Analiza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča
Zagreb: University of Zagreb, Music Academy, 2015. urn:nbn:hr:116:885047
Vranješ, Valerija
University of Zagreb
Academy of Music
Composition and Music Theory Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Vranješ, V. (2015). Analiza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:885047

Vranješ, Valerija. "Analiza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča." Master's thesis, University of Zagreb, Academy of Music, 2015. https://urn.nsk.hr/urn:nbn:hr:116:885047

Vranješ, Valerija. "Analiza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča." Master's thesis, University of Zagreb, Academy of Music, 2015. https://urn.nsk.hr/urn:nbn:hr:116:885047

Vranješ, V. (2015). 'Analiza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča', Master's thesis, University of Zagreb, Academy of Music, accessed 20 November 2024, https://urn.nsk.hr/urn:nbn:hr:116:885047

Vranješ V. Analiza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2015 [cited 2024 November 20] Available at: https://urn.nsk.hr/urn:nbn:hr:116:885047

V. Vranješ, "Analiza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2015. Available at: https://urn.nsk.hr/urn:nbn:hr:116:885047

Metadata
TitleAnaliza ciklusa 24 preludija i fuga op. 87 Dmitrija Šostakoviča
AuthorValerija Vranješ
MentorAnte Knešaurek (mentor)
GranterUniversity of Zagreb
Academy of Music
(Composition and Music Theory Department)
Zagreb
Defense date and country2015-09-19, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Composition
Abstract
Ciklus 24 Preludija i fuge op. 87 Dmitrija Šostakoviča predstavlja vrhunsko izdanje polifone glazbe 20. stoljeća s osloncem na glazbu Johanna Sebastina Bacha. Djelo je nastalo u tajnosti, 50 – ih godina prošlog stoljeća, u vremenu izrazite umjetničke blokade koja je vladala unutar Sovjetskog Saveza. Tonaliteti su u ciklusu raspoređeni po kvintnom krugu uzlazno pri čemu za svakim durskim tonalitetom slijedi njegov paralelni mol. Na tonalitetnom planu Šostakovič ne napušta tradiciju dura i mola, ali se uz njih služi i suvremenim (slobodnijim) harmonijskim sredstvima. Građa preludija varira između onih homofonog i plesnog karaktera te uvertire ili klavirske etide. Formalni plan fuge blizak je tradicionalnim uzorima gdje se jasno mogu raspoznati prva, druga i treća provedba, a koriste se i razne tehnike razvoja tematskog materijala kao što su inverzija, kanonske imitacije, augmentacija, diminucija i sl. Također, između preludija i fuga često je prisutna međusobna povezanost koja se najviše očituje u motivskoj i harmonijskoj sličnosti.
Abstract (bulgarian)
Cycle of 24 Preludes and Fugues op. 87 by Dmitri Shostakovich represents a special edition of polyphonic music of the 20th century with a base in Johann Sebastian Bachs music. The piece was written in secret, during the middle of the last century, in a time of an intense artistic blocade which was taking its place in a Soviet Union. Tonalities are arranged by upper fifth circle where every major tonality is followed by his minor pair. Shostakovichs musical language is still based in tradition of major and minor tonalities, but he is also using newer, more modern harmonic resources. The construction of Preludes varies between a homophonic and dance charachter, overture or piano etude. The formal plan of the Fugue is closer to the tradition because parts can be easily recognized (first, second and third part). There is also a use of different development polyphonic tehniques such as inversion, canonic imitation, augmentation, diminution etc. Preludes and Fugues are connected by similar motives and harmony.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:885047
Study programmeTitle: Graduate University Study Programme in Music Theory
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistrica teorije glazbe (magistar/magistrica teorije glazbe)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2015-11-13 13:46:11