prikaz prve stranice dokumenta Oblikovanje zvuka na filmu
  Download
PDF 1.33 MB
master's thesis
Oblikovanje zvuka na filmu
Zagreb: University of Zagreb, Academy of Music, 2011. urn:nbn:hr:116:732001
Mihojević, Pero
University of Zagreb
Academy of Music
Composition and Music Theory Department

Linked objects
Prilog diplomskom radu | Appendix

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Mihojević, P. (2011). Oblikovanje zvuka na filmu (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:732001

Mihojević, Pero. "Oblikovanje zvuka na filmu." Master's thesis, University of Zagreb, Academy of Music, 2011. https://urn.nsk.hr/urn:nbn:hr:116:732001

Mihojević, Pero. "Oblikovanje zvuka na filmu." Master's thesis, University of Zagreb, Academy of Music, 2011. https://urn.nsk.hr/urn:nbn:hr:116:732001

Mihojević, P. (2011). 'Oblikovanje zvuka na filmu', Master's thesis, University of Zagreb, Academy of Music, accessed 16 July 2024, https://urn.nsk.hr/urn:nbn:hr:116:732001

Mihojević P. Oblikovanje zvuka na filmu [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2011 [cited 2024 July 16] Available at: https://urn.nsk.hr/urn:nbn:hr:116:732001

P. Mihojević, "Oblikovanje zvuka na filmu", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2011. Available at: https://urn.nsk.hr/urn:nbn:hr:116:732001

Metadata
TitleOblikovanje zvuka na filmu
AuthorPero Mihojević
MentorVjekoslav Nježić (mentor)
GranterUniversity of Zagreb
Academy of Music
(Composition and Music Theory Department)
Zagreb
Defense date and country2011, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Composition
Abstract
U ovom diplomskom radu razmatrani su teorijski i praktični aspekti oblikovanja zvuka na filmu s naglaskom na praktičnom dijelu u kojem je zadatak bio oblikovanje zvuka za crtani film, čiji se rezultati vide na priloženom uratku. Fokus zanimanja u ovom ostvarenju usmjeren je k prikazu oblikovanja zvuka kao kreativnog procesa, umnogome nalik komponiranju. Kroz teorijska objašnjenja i opisane praktične postupke kao i izradu zvučnog obličja za animirani film korištenjem isključivo šumova, teza o kompozitorskom pristupu temelji se na složenosti izgradnje cjelokupne zvučne priče. Korišteni su zvukovi iz svakodnevnog života kao i konstruirani složeni zvukovi namijenjeni unapređenju aspekta dramatičnosti u filmu.
Abstract (english)
In this diploma paper theoretical and practical sound design aspects have been considered with the stress on the practical part being materialised with the example of the sound design for a cartoon. The main interest of this work is directed towards the presentation of the sound design process as a creative process which resembles composing. The composer-approach thesis is based on the complexity of the sound story development. It has been supported with theoretical explanations, practical procedure given and sound design for the cartoon (using sound effects). The example of the cartoon sound design includes sounds from everyday life and creation of the complex sounds for dramatical movie aspects.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:732001
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme in Composition; specializations in: Composition, Electronic Composition, Applied Composition
Course: Composition
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-10-21 11:03:13