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master's thesis
Vokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja
Zagreb: University of Zagreb, Academy of Music, 2023. urn:nbn:hr:116:569647
Hrkać, Nikolina
University of Zagreb
Academy of Music
Voice Department

Institutional repository: Academy of Music University of Zagreb Digital Repository

Cite this document

Hrkać, N. (2023). Vokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:569647

Hrkać, Nikolina. "Vokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja." Master's thesis, University of Zagreb, Academy of Music, 2023. https://urn.nsk.hr/urn:nbn:hr:116:569647

Hrkać, Nikolina. "Vokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja." Master's thesis, University of Zagreb, Academy of Music, 2023. https://urn.nsk.hr/urn:nbn:hr:116:569647

Hrkać, N. (2023). 'Vokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja', Master's thesis, University of Zagreb, Academy of Music, accessed 10 January 2025, https://urn.nsk.hr/urn:nbn:hr:116:569647

Hrkać N. Vokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2023 [cited 2025 January 10] Available at: https://urn.nsk.hr/urn:nbn:hr:116:569647

N. Hrkać, "Vokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2023. Available at: https://urn.nsk.hr/urn:nbn:hr:116:569647

Metadata
TitleVokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja
Title (english)Vocal eaesthetics, technique and ornamentation of early baroque singing
AuthorNikolina Hrkać
MentorMartina Zadro (mentor)
GranterUniversity of Zagreb
Academy of Music
(Voice Department)
Zagreb
Defense date and country2023-06-21, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Reproductive Music (Conducting, Singing, Playing an Instrument)
Abstract
Glavni cilj diplomskog rada pod naslovom Vokalna estetika, tehnika i ornamentacija ranobaroknog pjevanja je opis posebnosti vokalne glazbe 17. stoljeća i praksi koje su se koristile. Kroz rad su obrađeni pojmovi barokne vokalne tehnike i estetike koja je bila preferirana u ranom baroku, te su opisane razne vrste vokalne ornamentacije. Rani barok je pronašao najplodnije tlo u talijanskoj, engleskoj i francuskoj glazbi, stoga je rad podijeljen po tom principu opisujući posebnosti vokalne glazbe u svakoj od navedenih zemalja. Nadam se da će svi pjevači zainteresirani za izvođenje vokalnih djela 17. stoljeća moći koristiti ovaj rad kao priručnik pri konzultaciji izbora ornamentacije te tehničkog i stilskog pristupa ranoj glazbi
Abstract (english)
The main focus of thesis entitled Vocal eaesthetics, technique and ornamentation of early baroque singing is a description of 17th century vocal music specialty and pratcices used in that period. The thesis describes the terms of baroque vocal technique, preferred aesthetics in the early baroque and variety of vocal ornamentation. Early baroque was the most prolific in the Italian, English and French music hence this thesis is divided according to this principle, describing peculiarities of vocal music in all of the mentioned countries. I hope all singers interested in performing vocal pieces of 17th century will find this work useful as a manual for choosing the ornamentation for their performances and as a source of technical and stylistic approach to early baroque music.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:569647
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme in Singing
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2023-07-07 20:32:17