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master's thesis
Trijadni balet Oscara Schlemmera kao inspiracija za kreiranje maski
Zagreb: University of Zagreb, Faculty of Textile Technology, 2019. urn:nbn:hr:201:189681
Serblin, Luiza
University of Zagreb
Faculty of Textile Technology
Department of Fashion Design

Institutional repository: Faculty of Textile Technology University of Zagreb - Digital Repository

Cite this document

Serblin, L. (2019). Trijadni balet Oscara Schlemmera kao inspiracija za kreiranje maski (Master's thesis). Zagreb: University of Zagreb, Faculty of Textile Technology. Retrieved from https://urn.nsk.hr/urn:nbn:hr:201:189681

Serblin, Luiza. "Trijadni balet Oscara Schlemmera kao inspiracija za kreiranje maski." Master's thesis, University of Zagreb, Faculty of Textile Technology, 2019. https://urn.nsk.hr/urn:nbn:hr:201:189681

Serblin, Luiza. "Trijadni balet Oscara Schlemmera kao inspiracija za kreiranje maski." Master's thesis, University of Zagreb, Faculty of Textile Technology, 2019. https://urn.nsk.hr/urn:nbn:hr:201:189681

Serblin, L. (2019). 'Trijadni balet Oscara Schlemmera kao inspiracija za kreiranje maski', Master's thesis, University of Zagreb, Faculty of Textile Technology, accessed 22 July 2024, https://urn.nsk.hr/urn:nbn:hr:201:189681

Serblin L. Trijadni balet Oscara Schlemmera kao inspiracija za kreiranje maski [Master's thesis]. Zagreb: University of Zagreb, Faculty of Textile Technology; 2019 [cited 2024 July 22] Available at: https://urn.nsk.hr/urn:nbn:hr:201:189681

L. Serblin, "Trijadni balet Oscara Schlemmera kao inspiracija za kreiranje maski", Master's thesis, University of Zagreb, Faculty of Textile Technology, Zagreb, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:201:189681

Metadata
TitleTrijadni balet Oscara Schlemmera kao inspiracija za kreiranje maski
AuthorLuiza Serblin
MentorSnježana Vego (mentor)
MentorIvana Bakal (pomoć pri izradi, neposredni voditelj)
Committee memberMartinia Ira Glogar (predsjednik povjerenstva)
Committee memberSnježana Vego (član povjerenstva)
Committee memberIvana Bakal (član povjerenstva)
Committee memberMarin Sovar (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Textile Technology
(Department of Fashion Design)
Zagreb
Defense date and country2019-09-25, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Textile Technology
Abstract
Od svojih početaka u antičkoj Grčkoj sve do danas, scenska se umjetnost kontinuirano razvijala, ali uvijek je zagovarala hijerarhijske vrijednosti. Na prijelazu iz 19. u 20. stoljeće dolazi do preokreta i nastanka prve avangarde koja ruši sve dotadašnje kazališne konvencije i konvencije prisutne u svijetu umjetnosti u širem smislu. Jedan od značajnijih predstavnika tog razdoblja upravo je bio Oskar Schlemmer koji je svojim Trijadnim baletom značajno doprinio razvoju moderne kostimografije u svijetu scenskih umjetnosti. Izgled kostima i maski Trijadnog baleta temeljio se na jednostavnim, geometrijskim likovima koji su svojom skulpturalnošću onemogućavali fluidnost pokreta te tako preobražavali plesača/performera u lutku/marionetu. Teorijski je dio ovog rada posvećen povijesnoj analizi razvoja europske scenske umjetnosti, maske i kostima od antičke Grčke do zatvaranja škole Bauhausa. U praktičnom sam dijelu, inspirirana Schlemmerovim inovativnim pristupom odnosu tijela i prostora te korištenjem bazičnih geometrijskih oblika i boja, odlučila realizirati tri različite maske bazirane na tri pojedinačna čina/akta Trijadnog baleta.
Abstract (english)
From their early beginnings in ancient Greece all the way to the present, performing arts have been continually developing but have always maintained a hierarchical structure. The big turnaround happened at the transition from the 19th to the 20th century with the appearance of the first avant-garde movement which broke all former theatrical and artistic conventions. One of the most prominent representatives of the period was Oskar Schlemmer, whose Triadic ballet significantly influenced the development of modern theatrical costume design. The appearance of costumes and masks worn in the Triadic ballet was based on simple geometric shapes, which hindered fluid movements with its sculptural design and therefore transformed dancers/performers into puppets/ marionettes. The literary part of this thesis analyses the history of European performing art as well as mask and costume design development from ancient Greece up until the closure of the Bauhaus art school. Inspired by Schlemmer’s innovative approach to the relation of body to space as well as the use of basic geometric shapes and colours, I decided to create three masks based on the three individual acts of the Triadic ballet as the experimental part of my thesis.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:201:189681
Study programmeTitle: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture
Course: Costume Design
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2019-11-08 12:06:07