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master's thesis
Kostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta
Zagreb: University of Zagreb, Faculty of Textile Technology, 2020. urn:nbn:hr:201:584450
Dijanović, Matija
University of Zagreb
Faculty of Textile Technology
Department of Fashion Design

Institutional repository: Faculty of Textile Technology University of Zagreb - Digital Repository

Cite this document

Dijanović, M. (2020). Kostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta (Master's thesis). Zagreb: University of Zagreb, Faculty of Textile Technology. Retrieved from https://urn.nsk.hr/urn:nbn:hr:201:584450

Dijanović, Matija. "Kostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta." Master's thesis, University of Zagreb, Faculty of Textile Technology, 2020. https://urn.nsk.hr/urn:nbn:hr:201:584450

Dijanović, Matija. "Kostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta." Master's thesis, University of Zagreb, Faculty of Textile Technology, 2020. https://urn.nsk.hr/urn:nbn:hr:201:584450

Dijanović, M. (2020). 'Kostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta', Master's thesis, University of Zagreb, Faculty of Textile Technology, accessed 24 November 2024, https://urn.nsk.hr/urn:nbn:hr:201:584450

Dijanović M. Kostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta [Master's thesis]. Zagreb: University of Zagreb, Faculty of Textile Technology; 2020 [cited 2024 November 24] Available at: https://urn.nsk.hr/urn:nbn:hr:201:584450

M. Dijanović, "Kostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta", Master's thesis, University of Zagreb, Faculty of Textile Technology, Zagreb, 2020. Available at: https://urn.nsk.hr/urn:nbn:hr:201:584450

Metadata
TitleKostimografija po predlošku drame "Opera za tri groša" Bertolta Brechta
Title (english)COSTUME DESIGN BY TEMPLATE OF THE DRAMA „THE THREEPENNY OPERA“ BY BERTOLT BRECHT
AuthorMatija Dijanović
MentorSnježana Vego (mentor)
MentorIvana Bakal (pomoć pri izradi, neposredni voditelj)
Committee memberAna Sutlović (predsjednik povjerenstva)
Committee memberSnježana Vego (član povjerenstva)
Committee memberIvana Bakal (član povjerenstva)
Committee memberMartinia Ira Glogar (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Textile Technology
(Department of Fashion Design)
Zagreb
Defense date and country2020-09-28, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Textile Technology
Textile and Clothing Design
Abstract
Tema ovog rada je kostimografsko rješenje glazbene drame Bertolta Brechta i Kurta Weilla, „Opera za tri groša“. Uz preglede biografije i umjetničkog stvaralaštva autora, analiziran je i objašnjen pojam epskog teatra i svih njegovih odrednica koje su važne za pristup takvoj vrsti djela. Pojašnjavajući pojmove u usporedbi s onima iz klasičnog, dramskog teatra, analizira se i pojašnjava sam predložak - „Opera za tri groša“, njezin nastanak, utjecaj i pregled najznačajnijih inscenacija do sada. Određuju se svi elementi potrebni za daljnju razradu skica prijedloga kostima, kolorita, stilskog perioda uz osmišljavanje šminke i frizura kao važnih čimbenika koji funkcioniraju unutar normi epskog teatra. Nakon toga slijedi kreativni dio rada u kojem su priložene skice i objašnjenja likovnosti kostima svakog od likova, njihovih frizura i šminke, te samostalan rad izrade jednog od kostima s odabrane skice.
Abstract (english)
The theme of this paper is the costume design of the musical drama by Bertolt Brecht and Kurt Weill, The Threepenny Opera. In addition to reviews of the author's biography and artistic work, the notion of epic theater and all its determinants that are important for access to this type of work are analyzed and explained. Explaining the terms in comparison to those from classical dramatic theater, we come to the analysis and explanation of the template itself - The Threepenny Opera, its origin, its influence and an overview of the most significant stagings of this time. All the elements necessary for the further elaboration of sketches of costume proposals, colors, stylistic period and the design of make-up and hairstyle as important factors that function within the norms of epic theater are indicated. This is followed by a creative part of the work in which sketches and explanations of the costumes of each of the characters, their hairstyles and make-up are attached, as well as independent work of making one of the costumes from the sketch.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:201:584450
Study programmeTitle: Textile and Fashion Design; specializations in: Fashion Design, Textile Design, Costume Design, Fashion Theory and Culture
Course: Costume Design
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna (magistar/magistra inženjer/inženjerka tekstilnog i modnog dizajna)
Type of resourceText
File originBorn digital
Access conditionsClosed access
Terms of useLicence In copyright icon
Created on2020-10-07 12:04:49