| Abstract | Cilj ovog rada je upoznati likovni svijet umjetnika Vasilija Kandinskog. Rad je podijeljen u dva dijela, a to su teorijski i praktični dio. U teorijskom dijelu se obrađuje pojam apstrakcija, apstraktna umjetnost prve polovice 20. stoljeća te sam život i djela Vasilija Kandinskog. Vasilij Kandinski bio je umjetnički pionir koji je pomogao redefinirati zapadnu umjetnost. U početku je bio inspiriran Monetom i drugim impresionistima, a zatim je počeo eksperimentirati s linijama, bojama, oblicima na načine koji prkose mnogim tada poznatim konvencijama. Iz toga se rodio oblik umjetnosti koji je postao poznat kao apstraktna umjetnost, odnosno geometrijska apstrakcija. Na tom putu pratili su ga razni izazovi, spoznaje, ali i nevjerojatna otkrića. Njegov najpoznatiji tekst O duhovnom u umjetnosti je objavljen 1912. godine, a njime je teorijski utemeljio ideju i praksu apstraktnog slikarstva. Bio je povezan s grupom „Plavi jahač“ i njemačkim pokretom Bauhaus koji su se ujedinili s nastojanjem da se nadopune njihove ideje korištenjem umjetnosti, dizajna i zanata za stvaranje novih, skladnijih načina života. Ovim radom je iskazana potreba da se apstraktna umjetnost približi pojedincu, odnosno da se pojedinac okrene prema individualnoj unutarnjoj stvarnosti. Kandinski je smatrao kako će gledatelj vođen umjetnikom stjecati sve veća znanja apstraktnog jezika kako bi u konačnici i on sam mogao njime ovladati. Praktični dio rada sadrži vlastitu izradu i analizu umjetničkog djela po uzoru na Kandinskog. Pri izradi koristili su se likovni elementi i tehnike koji najbolje odgovaraju planiranoj strukturi samog djela. |
| Abstract (english) | The aim of this paper is to get to know the artistic world of the artist Wassily Kandinsky. The work is divided into two parts, namely the theoretical and practical part. The theoretical part deals with the concept of abstraction, abstract art of the first half of the 20th century, and the life and works of Wassily Kandinsky. Wassily Kandinsky was an artistic pioneer who helped redefine Western art. Initially inspired by Monet and other Impressionists, he then began experimenting with lines, colors, and shapes in ways that defied many conventions known at the time. From this, a form of art was born that became known as abstract art, that is, geometric abstraction. Along the way, he was accompanied by various challenges, realizations, and incredible discoveries. His most famous text Concerning the Spiritual in Art was published in 1912, and with it he theoretically founded the idea and practice of abstract painting. He was associated with the “Blue Rider“ group and the German Bauhaus movement who united in an effort to complement their ideas by using art, design, and craft to create new, more harmonious ways of living. This work shows the need to bring abstract art closer to the individual, that is, to turn the individual towards the individual's inner reality. Kandinsky believed that the viewer, guided by artist, would acquire more and more knowledge of abstract language so that he could eventually master it himself. The practical part of the work contains one's own creation and analysis of a work of art modeled after Kandinsky. During creation were used artistic elements and techniques that best correspond to the planned structure of the work itself |
