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master's thesis
Fra Bernardin Sokol: Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja. Prijepis i analiza.
Split: University of Split, Arts Academy, 2021. urn:nbn:hr:175:250319
Grubišić-Čabo, Jelena
University of Split
Arts Academy
Music
Department of Music Theory and Composition

Institutional repository: Repository of Arts Academy

Cite this document

Grubišić Čabo, J. (2021). Fra Bernardin Sokol: Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja. Prijepis i analiza. (Master's thesis). Split: University of Split, Arts Academy. Retrieved from https://urn.nsk.hr/urn:nbn:hr:175:250319

Grubišić Čabo, Jelena. "Fra Bernardin Sokol: Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja. Prijepis i analiza.." Master's thesis, University of Split, Arts Academy, 2021. https://urn.nsk.hr/urn:nbn:hr:175:250319

Grubišić Čabo, Jelena. "Fra Bernardin Sokol: Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja. Prijepis i analiza.." Master's thesis, University of Split, Arts Academy, 2021. https://urn.nsk.hr/urn:nbn:hr:175:250319

Grubišić Čabo, J. (2021). 'Fra Bernardin Sokol: Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja. Prijepis i analiza.', Master's thesis, University of Split, Arts Academy, accessed 07 January 2025, https://urn.nsk.hr/urn:nbn:hr:175:250319

Grubišić Čabo J. Fra Bernardin Sokol: Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja. Prijepis i analiza. [Master's thesis]. Split: University of Split, Arts Academy; 2021 [cited 2025 January 07] Available at: https://urn.nsk.hr/urn:nbn:hr:175:250319

J. Grubišić Čabo, "Fra Bernardin Sokol: Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja. Prijepis i analiza.", Master's thesis, University of Split, Arts Academy, Split, 2021. Available at: https://urn.nsk.hr/urn:nbn:hr:175:250319

Metadata
TitleFra Bernardin Sokol: Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja. Prijepis i analiza.
Title (english)Fr. Bernardin Sokol: church compositions for one voice and the accompaniment of small orchestra and organ. Transcription and analyse.
AuthorJelena Grubišić-Čabo
MentorVito Balić (mentor)
Committee memberVito Balić (predsjednik povjerenstva)
Committee memberMirjana Siriščević (član povjerenstva)
Committee memberBlaženko Juračić (član povjerenstva)
GranterUniversity of Split
Arts Academy
(Music)
(Department of Music Theory and Composition)
Split
Defense date and country2021-09-27, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
Predmet rada je prijepis i analiza crkvenih skladbi za jedan glas uz pratnju malog orkestra i orgulja koja je tiskana u nizu glazbenih izdanja Pjevajte Gospodinu pjesmu novu pod brojem 8 i 9. O samom predmetu rada, zbirci Crkvene skladbe za jedan glas uz pratnju malog orkestra i orgulja, do sada nema nikakvih spoznaja. Cilj ovog rada je doći do spoznaja o Sokolovom glazbenom jeziku saznati kako je oblikovao glazbeni jezik te koje je forme koristio. U ovom radu koristit će se tri metode glazbene teorije. Prva metoda je filološka, sljedeća je analitička te posljednja komparativna metoda. Sokolova zbirka sadrži pet popijevki: Ave Maria, Magnificabitur, O salutaris Hostia, Deus meus et omnia [I.] i Deus meus et omnia [II.]. Sve popijevke su dvodijelne forme u proširenom tonalitetu glazbene moderne. Uočavaju se različiti principi oblikovanja u rasponu od potpuno prokomponiranih formi do prokomponiranih s jednokratnim ponavljanjima pojedine riječi, primjene svojevrsnog ritornella i različitih pripjeva.
Abstract (english)
The subject of the work is transcription and analysis of the Church compositions for one voice and accompaniment of small orchestra and organ which has been printed in a series of music editions Sing to the Lord a new song under the numbers 8 and 9. About the subject of the paper, the collection Church compositions for one voice accompanied by small orchestra and organ, there is no information or insights about the collection. The aim of this paper is to gain insights into Sokol’s musical language, to find out how he composed the liturgical pices and which forms he used. Three methods of musical theory will be used in this paper. The fist one is philological method, next one is analytical method and the last one is comparative method. Sokol’s corpus contains five songs: Ave Maria, Magnificabitur, O salutaris Hostia, Deus meus et omnia [I] i Deus meus et omnia [II]. All songs are composed in two-part form in the extended tonality of the music from the first quarter of the 20th century. Different formal principles are noticed from through-composed form to throughcomposed with a single repetition of individual words, with a use of ritornello element and different kinds of refrains.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:175:250319
Study programmeTitle: Music Theory
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra glazbene teorije (magistar/magistra glazbene teorije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-09-05 09:01:32