prikaz prve stranice dokumenta Uloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika
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master's thesis
Uloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika
Zagreb: Catholic University of Croatia, 2021. urn:nbn:hr:224:191430
Dodig, Dario
Catholic University of Croatia
Department of History

Institutional repository: Digital Repository of the Catholic University of Croatia

Cite this document

Dodig, D. (2021). Uloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika (Master's thesis). Zagreb: Catholic University of Croatia. Retrieved from https://urn.nsk.hr/urn:nbn:hr:224:191430

Dodig, Dario. "Uloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika." Master's thesis, Catholic University of Croatia, 2021. https://urn.nsk.hr/urn:nbn:hr:224:191430

Dodig, Dario. "Uloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika." Master's thesis, Catholic University of Croatia, 2021. https://urn.nsk.hr/urn:nbn:hr:224:191430

Dodig, D. (2021). 'Uloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika', Master's thesis, Catholic University of Croatia, accessed 26 December 2024, https://urn.nsk.hr/urn:nbn:hr:224:191430

Dodig D. Uloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika [Master's thesis]. Zagreb: Catholic University of Croatia; 2021 [cited 2024 December 26] Available at: https://urn.nsk.hr/urn:nbn:hr:224:191430

D. Dodig, "Uloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika", Master's thesis, Catholic University of Croatia, Zagreb, 2021. Available at: https://urn.nsk.hr/urn:nbn:hr:224:191430

Metadata
TitleUloga ratnih fotografija i snimki u Domovinskom ratu: osvrt na bombardiranje i obranu Dubrovnika
Title (english)The role of war photographical documentations in Croatian War of Independence: revisiting the bombing and defence of Dubrovnik
AuthorDario Dodig
MentorMario Kevo (mentor)
MentorKrunoslav Novak (komentor)
Committee memberTado Jurić (predsjednik povjerenstva)
Committee memberAna Holjevac Tuković (član povjerenstva)
Committee memberKrunoslav Novak (član povjerenstva)
GranterCatholic University of Croatia
(Department of History)
Zagreb
Defense date and country2021-06-16, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History
Croatian and World Modern and Contemporary History
Abstract
U radu će se prikazati i predočiti ratne fotografije i snimke koje su nastale u razdoblju Domovinskog rata, odnosno napada na Dubrovnik 1991. godine te će se baviti problematikom prikazivanja tih istih izvora u medijima zaraćenih strana. Zapravo, uočit će se kako se u jednom povijesnom događaju, povijesne činjenice zabilježene na fotografijama i snimkama, mogu medijski različito (pa i lažno) prikazivati u svrhu zastrašivanja i manipuliranja javnosti, a isto tako kako se fotografije i snimke mogu koristiti s ciljem da odigraju veliku ulogu kod poticanja reakcije svjetske javnosti i međunarodne zajednice, koja može posredovati u uspostavi primirja. Uz to, u radu će se istražiti fotografije ratnih fotoreportera koji su djelovali na dubrovačkom području i hrvatskih novinskih reportaža koje su pratile i objavljivale članke o granatiranju i napadima na Dubrovnik u listopadu i prosincu 1991. godine. Rezultati ovog istraživanja mogu dati bolju sliku širenja ratne propagande koristeći snimke, ali s različitim prikazivanjem istog događaja, zapravo kako se određene snimke i fotografije u ratnom razdoblju mogu koristiti kao novo suvremeno oružje s ciljem širenja dezinformacija, jer je fotografija u stanju utjecati na kolektivna ponašanja i na političke odluke. Ovim radom želi se prikazati uloga fotografije i drugih audiovizualnih medija u povijesnom istraživanju, te se daje novo promišljanje pristupa audiovizualnoj građi u povijesnim istraživanjima.
Abstract (english)
This report will present the photographs and videos captured during the Croatian War of Independence in Dubrovnik in 1991. and will dissect the issues of media representations from the defence's perspective, as well as the aggressor's perspective. It will more stringently discuss how, in certain historical events, recorded photographic evidence can be manipulated by the media to gain an ulterior goal of fear, or maybe even that of a favoured reaction from the global community - reactions that may corrupt a fair resolving of the escalation. Along with the mentioned, the report will also focus on the photographs documented by war photojournalists who published articles and followed the bombings and attacks on Dubrovnik in 1991 during October and December. The results of this article may provide a better insight into how war propaganda, which actually bends the truth or completely hide it, can be used as modern warfare with the goal of using its disinformation as a weapon of victory, which can persuade unfair decision making in political resolutions. This work's core objective is to show the role of photographic and audiovisual media in historical research, as well as promoting a more refined approach to audiovisual materials in such research.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:224:191430
Study programmeTitle: Department of History
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra povijesti (magistar/magistra povijesti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2021-06-30 13:34:54