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undergraduate thesis
Eksperimentalne metode analogne fotografije
Koprivnica: University North, 2021. urn:nbn:hr:122:479357
Horvat, Irma
University North
University centre Varaždin
Department of Multimedia, Design and Application

Institutional repository: University North Digital Repository

Cite this document

Horvat, I. (2021). Eksperimentalne metode analogne fotografije (Undergraduate thesis). Koprivnica: University North. Retrieved from https://urn.nsk.hr/urn:nbn:hr:122:479357

Horvat, Irma. "Eksperimentalne metode analogne fotografije." Undergraduate thesis, University North, 2021. https://urn.nsk.hr/urn:nbn:hr:122:479357

Horvat, Irma. "Eksperimentalne metode analogne fotografije." Undergraduate thesis, University North, 2021. https://urn.nsk.hr/urn:nbn:hr:122:479357

Horvat, I. (2021). 'Eksperimentalne metode analogne fotografije', Undergraduate thesis, University North, accessed 09 July 2024, https://urn.nsk.hr/urn:nbn:hr:122:479357

Horvat I. Eksperimentalne metode analogne fotografije [Undergraduate thesis]. Koprivnica: University North; 2021 [cited 2024 July 09] Available at: https://urn.nsk.hr/urn:nbn:hr:122:479357

I. Horvat, "Eksperimentalne metode analogne fotografije", Undergraduate thesis, University North, Koprivnica, 2021. Available at: https://urn.nsk.hr/urn:nbn:hr:122:479357

Metadata
TitleEksperimentalne metode analogne fotografije
Title (english)Experimental methods of analog pgotography
AuthorIrma Horvat
MentorMario Periša (mentor)
Committee memberRobert Geček (predsjednik povjerenstva)
Committee memberMario Periša (član povjerenstva)
Committee memberNikolina Bolčević Horvatić (član povjerenstva)
GranterUniversity North
(University centre Varaždin)
(Department of Multimedia, Design and Application)
Koprivnica
Defense date and country2021-07-16, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Processes of Graphic Reproduction
Abstract
Tema završnog rada je pregled eksperimentalnih metoda analogne fotografije. Eksperimentalne metode podrazumijevaju sve ne tradicionalne načine izrade fotografskih slika. Neke od metoda eksperimentalne fotografije su dupla ekspozicija, fotomanipulacija, skenografija, cijanotipija ili izrada fotografija bez fotoaparata. Ono što danas prihvaćamo kao standard, je isprva započeto kao eksperiment. Fotografijom se eksperimentiralo u namjeri usavršavanja fotografije u tehničkom smislu, a kada je to postignuto, započelo je eksperimentiranje u umjetničko-tehničkom smislu. Početkom 20. stoljeća počinje eksperimentalno doba koje je privuklo fotografe ideologijom avangardnih umjetnosti, posebice dada pokreta. Fotografi su manipulirali slike, eksperimentirali s procesom izrade fotografija i davali počast prošlim fotografijama izrađujući fotografije starim tehnikama. Samom promjenom jednog djela klasičnog načina izrade fotografske slike može se dobiti neočekivano sjajna fotografija. Cilj završnog rada jest povijesno predstaviti tehničko-tehnološki aspekt izrade fotografija, jednako tako predstaviti i povijest umjetnosti. Nabrojati i opisati razne vrste filmova te kemijski i tehnički način razvijanja negativa filma u fizičku fotografiju. Praktični dio završnog rada sadrži autorske fotografije koje su razvijene eksperimentalnom metodom- juhom filma (eng. film soup). Cilj eksperimentalnog djela je dokazati određene tehničko- tehnološke hipoteze i prilikom prezentiranja fotografija navesti razloge njihova nastajanja i priče.
Abstract (english)
The topic of this thesis is a review of experimental methods in analog photography. The experimental method involves all non-traditional ways of making photographic images. Some methods of experimental photography include double exposure, photo manipulation, scanography, cyanotype or making photos without a camera. What we accept today as the standard was first started as an experiment. Photography was experimented with the intention of perfecting photography in a technical sense, and when that was achieved, experimentation in an artistic-technical sense began.At the beginning of the 20th century, an experimental era began that attracted photographers with the ideology of the avant-garde arts, especially the dada movement. The photographers manipulated images, experimented with the process of making photographs, and paid homage to past photographs by making photographs with old techniques. By changing one part of the classic way of making photographic images, you can get unexpected photographs. The aim of this thesis is to historically present the technical and technological aspect of photography, to list and describe various types of films and the chemical and technical way of developing a negative film to get a physical photograph. The practical part of this thesis contains author's photographs that were developed through the experimental method called film soup. The aim of the experimental work is to prove certain hypotheses and present the origin and story of said photographs.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:122:479357
Study programmeTitle: Graphical Studies: Multimedia, Design and Application
Study programme type: professional
Study level: undergraduate
Academic / professional title: stručni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka multimedijske i grafičke tehnologije (stručni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka multimedijske i grafičke tehnologije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
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Created on2021-10-01 10:15:27