Movies as a medium and a form of entertainment have raised many generations and set norms and standards of behavior without us being aware of it. They are divided into genres, but no film belongs to only one genre. Genres are defined by a certain set of film motives, and film motives are thematic units that clearly and undisguisedly run through a series of films. Film motives are divided into plot motives, characterization motives and narrative motives. In this thesis, a type of film called "chick-flick" film is researched. The definition of a chick-flick film has changed three times since the beginning of the film, and today it is films made specifically for a female audience and with female protagonists. The name itself for such films is considered by some to be derogatory because there is no name for films that are made for a male audience and have male protagonists - such films are called only films. Chick-flicks are considered less clever, less demanding and more emotional than others, which is a false assumption. Along with the analysis of five films from each decade starting from the 1930s to the 2010s, the paper also includes research on the correlation of conservative attitudes and liking of chick-flick films. The aim of the paper is to investigate the changing image of the modern woman over the decades and to investigate whether the audience that enjoys chick-flicks is more conservative or liberal.