prikaz prve stranice dokumenta Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)
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master's thesis
Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)
Zadar: University of Zadar, 2018. urn:nbn:hr:162:223315
Žuvela, Ana
University of Zadar
Department of English

Institutional repository: University of Zadar Institutional Repository

Cite this document

Žuvela, A. (2018). Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012) (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:223315

Žuvela, Ana. "Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)." Master's thesis, University of Zadar, 2018. https://urn.nsk.hr/urn:nbn:hr:162:223315

Žuvela, Ana. "Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)." Master's thesis, University of Zadar, 2018. https://urn.nsk.hr/urn:nbn:hr:162:223315

Žuvela, A. (2018). 'Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)', Master's thesis, University of Zadar, accessed 28 November 2024, https://urn.nsk.hr/urn:nbn:hr:162:223315

Žuvela A. Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012) [Master's thesis]. Zadar: University of Zadar; 2018 [cited 2024 November 28] Available at: https://urn.nsk.hr/urn:nbn:hr:162:223315

A. Žuvela, "Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)", Master's thesis, University of Zadar, Zadar, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:162:223315

Metadata
TitleRepresentation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)
Title (croatian)Prikaz žena u filmovima: Psiho (1960), Kad jaganjci utihnu (1991), Titanic (1997) i Skyfall (2012)
AuthorAna Žuvela
MentorRajko Petković (mentor)
Committee memberRajko Petković (predsjednik povjerenstva)
Committee memberVesna Ukić Košta (član povjerenstva)
Committee memberMarko Lukić (član povjerenstva)
GranterUniversity of Zadar
(Department of English)
Zadar
Defense date and country2018-07-06, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Art Sciences
Filmology
Abstract
This thesis deals with the representation of women in the following films: Psycho (1960), The Silence of the Lambs (1991), Titanic (1997) and Skyfall (2012). After a thorough case study analyses of these films, the thesis attempts to determine if there are any differences in presenting women and men and whether the films in question strengthen or deny social stereotypes about women and women roles in films. Although the depiction of women in films has changed over time, if we think of representation of female characters in Classical Hollywood that was restricted to two opposite poles - housewives or femme fatales - to nowadays, we should ask ourselves to which extent do contemporary films, and especially those made in the end of the 20th and the beginning of the 21st century, work in favour or at the expense of emancipation of women, which is, after all, the main focus of this paper.
Abstract (croatian)
Ovaj diplomski rad bavi se analizom prikaza žena u sljedećim filmovima: Psiho (1960), Kad jaganjci utihnu (1991), Titanic (1997) i Skyfall (2012). Analizom navedenih filmova rad pokušava utvrditi postoji li razlika u prikazu muškaraca i žena te jačaju li spomenuti filmovi društvene stereotipe o ženama i ženskim ulogama u filmovima, ili ih pak opovrgavaju. Iako se može reći da se prikaz žena u filmovima promijenio s godinama, razmotrimo li pritom prikaze žena u filmovima klasičnog Hollywooda koji se ograničavao na dva oprečna pola – kućanica ili fatalna žena – te prikaz žena u suvremenim filmovima, nameće se pitanje u kojoj mjeri suvremeni filmovi, a posebice oni s kraja 20. i početka 21. stoljeća, rade u korist ili pak nauštrb emancipacije žena, što je ujedno i glavni fokus ovog rada.
Keywords
Keywords (croatian)
Languageenglish
URN:NBNurn:nbn:hr:162:223315
Study programmeTitle: English Language and Literature (double major); specializations in: Teaching, Research
Course: Teaching
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra engleskog jezika i književnosti (magistar/magistra engleskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2018-11-21 14:05:30