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master's thesis
Iskazivanje muškosti u dalmatinskom hip-hopu
Zadar: University of Zadar, 2020. urn:nbn:hr:162:167270
Marić, Ivan
University of Zadar
Department of Croatian Studies

Institutional repository: University of Zadar Institutional Repository

Cite this document

Marić, I. (2020). Iskazivanje muškosti u dalmatinskom hip-hopu (Master's thesis). Zadar: University of Zadar. Retrieved from https://urn.nsk.hr/urn:nbn:hr:162:167270

Marić, Ivan. "Iskazivanje muškosti u dalmatinskom hip-hopu." Master's thesis, University of Zadar, 2020. https://urn.nsk.hr/urn:nbn:hr:162:167270

Marić, Ivan. "Iskazivanje muškosti u dalmatinskom hip-hopu." Master's thesis, University of Zadar, 2020. https://urn.nsk.hr/urn:nbn:hr:162:167270

Marić, I. (2020). 'Iskazivanje muškosti u dalmatinskom hip-hopu', Master's thesis, University of Zadar, accessed 29 November 2024, https://urn.nsk.hr/urn:nbn:hr:162:167270

Marić I. Iskazivanje muškosti u dalmatinskom hip-hopu [Master's thesis]. Zadar: University of Zadar; 2020 [cited 2024 November 29] Available at: https://urn.nsk.hr/urn:nbn:hr:162:167270

I. Marić, "Iskazivanje muškosti u dalmatinskom hip-hopu", Master's thesis, University of Zadar, Zadar, 2020. Available at: https://urn.nsk.hr/urn:nbn:hr:162:167270

Metadata
TitleIskazivanje muškosti u dalmatinskom hip-hopu
Title (english)Expressing masculinity in Dalmatian hip-hop
AuthorIvan Marić
MentorGordana Čupković (mentor)
Committee memberJosip Miletić (predsjednik povjerenstva)
Committee memberVice Šunjić (član povjerenstva)
Committee memberGordana Čupković (član povjerenstva)
GranterUniversity of Zadar
(Department of Croatian Studies)
Zadar
Defense date and country2020-10-29, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Abstract
U ovom diplomskom radu obrađuju se različiti verbalni i vizualni aspekti iskazivanja muškosti u dalmatinskom hip-hopu pri čemu se pokazuje kako je u odabranom korpusu konstruiranje muškosti istodobno i kritičko sagledavanje izdvojenih generičkih stereotipa i to posredstvom parodije. Aspekti iskazivanja muškosti u dalmatinskom hip-hopu oprimjereni su analizom glazbenog stvaralaštva glazbene skupine Kiše metaka i samostalnog stvaralaštva njihovoga istaknutoga člana Kreše Kulašina poznatog pod umjetničkim imenom Krešo Bengalka. Pojmovi lingvokulturologije, lingvokulturema i kulturnih koncepata odabrani su kao okvir raščlambe primjera koji objedinjuju verbalni iskaz s kulturološkim aspektima znanja o svijetu posredovanoga unutar određene društvene skupine. Verbalni izrazi razvrstani su na izraze sa strukturom poredbe (poredbe vezane za stvarne i imaginarne ličnosti, poredbe vezane za stvarne i imaginarne toponime te poredbe vezane za funkcije), izraze za predmete te na ideologeme. Osim verbalnih izraza analiziraju se i primjeri vizualne metafore i parodije u videospotovima navedenih izvođača. Proučavanjem vizualnih, verbalnih i glazbenih poruka naglašava se aspekt multimodalnosti kao važan čimbenik modeliranja diskursa muškosti u proučavanom korpusu. Cilj rada je detektirati mehanizme manifestiranja muškosti u specifičnom kontekstu dalmatinskoga hip-hopa pri čemu se pokazuje da se izvođači zapravo izruguju sa stereotipnim prikazima tradicionalne muškosti, ali i s tradicijom općenito kao i s pojedinim društvenim anomalijama koje proizlaze iz tradicije i koje se propagiraju kao vrijednosti zrcalno postavljenoga svijeta.
Abstract (english)
The paper deals with various verbal and visual aspects of expressing masculinity in Dalmatian hip-hop, showing how in the selected corpus the construction of masculinity is at the same time a critical consideration of isolated generic stereotypes through parody. Aspects of expressing masculinity in Dalmatian hip-hop are exemplified by the analysis of the musical work of the music group Kiša metaka and the independent work of their prominent member Krešo Kulašin, known as Krešo Bengalka. The terms linguoculturology, linguocultureme, and cultural concepts have been selected as a framework for analyzing examples that combine verbal expression with cultural aspects of knowledge about the world mediated within a particular social group. Verbal expressions are divided into expressions with the structure of comparison (comparisons related to real and imaginary personalities, comparisons related to real and imaginary toponyms and comparisons related to functions), expressions for objects and ideologems. In addition to verbal expressions, examples of visual metaphor and parody in the videos of the artists are also analyzed. The study of visual, verbal, and musical messages emphasizes the aspect of multimodality as an important factor in modeling the discourse of masculinity. The aim of this paper is to detect the mechanisms of masculinity manifestation in the specific context of Dalmatian hip-hop, showing that performers actually mock stereotypical depictions of traditional masculinity, but also tradition in general and individual social anomalies arising from tradition and propagated as values of the mirror world.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:162:167270
Study programmeTitle: Croatian Language and Literature; specializations in: Teaching
Course: Teaching
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra hrvatskog jezika i književnosti (magistar/magistra hrvatskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2020-12-14 13:19:19